Leigh Boucher

author

“Wonnangatta” Review: Australian Theatre-Writing at its Provocative and Powerful Best

Posted by Leigh Boucher | 9th Nov 2020 | Australia, Playwriting, Review, Sydney

Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...

Read More

“Wonnangatta” Review: Australian Theatre Writing At Its Provocative And Powerful Best

Posted by Leigh Boucher | 14th Oct 2020 | Australia, Review, Sydney, Theatre and Politics

Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...

Read More

“How To Rule The World” Is A Biting And Urgent Satire Of Australian Politics–That Feels All Too Real

Posted by Leigh Boucher | 5th Mar 2019 | Australia, Review, Sydney, Theatre and Politics

How To Rule The World is Indigenous playwright Nakkiah Lui’s critical riposte to the intellectual...

Read More

“Muriel’s Wedding: The Musical” Is A Deeply Satisfying Tribute To Australia’s Most-Loved Dag

Posted by Leigh Boucher | 30th Nov 2017 | Australia, Musical Theatre, Review

Muriel Heslop occupies a precious position in Australian cultural life. She is, perhaps, our...

Read More

“Only Heaven Knows” Brings 1940s Queer Sydney Roaring Back to Life

Posted by Leigh Boucher | 7th Jun 2017 | Australia, LGBTQ+ Theatre, Melbourne, Musical Theatre

Only Heaven Knows, a musical about a young Melbourne man who discovers the queer delights of...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Truth and Reconciliation in “Under the Shade… by Verity Healey 2nd January 2026
Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
“With Ruby and I” – review –… by Verity Healey 3rd January 2026
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025
Echoes of a Crumbling Republic: Review of… by Susanna Sun 4th January 2026
Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025

Recent Posts

Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker 29th January 2026
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro 27th January 2026
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity” 27th January 2026
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage 26th January 2026
Under The Radar Fest: Testo 23rd January 2026
Sharing Crafts, Or Laboratory Space 12th January 2026
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities 8th January 2026
Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling 8th January 2026
Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room 7th January 2026
Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen 6th January 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest