REVIEW: Patron Saints And Picking Grapes In “Our Lady Of Delicias”
Hayley Malouin reviews Essential Collective Theatre’s world premiere of Our Lady Of Delicias:...
Read More
Hayley Malouin
“BANG BANG” Is Equal Parts Disarming And Disturbing
Toronto, Ontario alt.theatre web editor Hayley Malouin reviews the world premiere of Kat...
Read More
The Body Labours Sonorously In Foxconn “Frequency (no. 3)” at The PuSh Festival
Kelsey Blair reviews Hong Kong Exile’s Foxconn Frequency (no. 3): For Three Visibly Chinese...
Read More
Labour Politics In Audrey Dwyer’s “Calpurnia” Problematize Allyship
Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...
Read More
“All Those Unnatural Bonds:” Talking Sexuality, Shame, And Female Friendship With Hannah Moscovitch
Alt.theatre web editor Hayley Malouin interviews playwright Hannah Moscovitch about female...
Read More
Sitting With Amanda Parris’ “Other Side Of The Game”
Shelley Liebembuk reviews Cahoots Theatre and Obsidian Theatre’s world premiere of The Other Side...
Read MoreLike Us On Facebook
Most Popular Posts
Olga Braga’s “Donbas” at Theatre 503: Complex… 20th February 2026 - In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
- Terence Rattigan’s “Man and Boy” at the National… 19th February 2026
- “The Phantom Of The Opera” Returns To Mexico: A… 12th December 2025
- Isolation, Consumer Desire and the Human Spirit: A… 2nd March 2026
- “Is Love Energy Or Matter?” An Interview With Rok… 11th March 2026
- “Digital Access To The Performing Arts”… 7th March 2026
