Henrik Eger

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Perceptions of Each Other’s Cultures: Open Letter to an American Theater Critic

Posted by Henrik Eger | 19th Aug 2019 | Philadelphia, Transcultural Collaborations, United Kingdom, United States of America

Most theater productions will never become available again, no matter how great the quality,...

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Probing Tom Stoppard on Russia: Part of The Legacy of Theater Critic and Educator J. Cooper Robb

Posted by Henrik Eger | 4th Aug 2019 | Czech Republic, Documentary Theatre, Dramaturgy, Interview, News, Russia

Cooper Robb, an immensely knowledgeable and prolific American theater critic, who recently passed...

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Working With a Cultural Consultant When Writing an International Play: Interview With U.S. Playwright Gabriel Jason Dean and Humaira Ghilzai, an Afghan Expert

Posted by Henrik Eger | 14th Jul 2019 | Afghanistan, Interview, Playwriting, Theatre and Gender, Theatre and Politics, United States of America

The playwright “I spring from ministers, murderers, rebels, addicts, closeted queens, soldiers,...

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“An Enemy Is Someone Whose Story You Don’t Know”: Interview with Arab Israeli Playwright Ibrahim Miari About His Drama “In Between”

Posted by Henrik Eger | 30th Jun 2019 | Interview, Israel, Palestine, Theatre and Dance, Theatre and Politics, Transcultural Collaborations

Ibrahim Miari, son of a Palestinian Muslim father and Jewish Israeli mother, grew up in Israel,...

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Inside Chicago Court Theatre’s “Berlin”–Turning a Graphic Novel into Live Theatre: An Exclusive Interview with Playwright Mickle Maher 24th December 2025
“The Phantom Of The Opera” Returns To Mexico: A Reinvented Masterpiece 12th December 2025
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Tom Block Sparks Arts Activists 11th December 2025
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Dostoevsky on Stage. “The Mutt” by Anoushka Nesterova and Elena Che at the IATI Theater, New York 7th December 2025

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