Charis Ainslie

<img data-lazy-fallback="1" alt='Charis Ainslie' src='https://secure.gravatar.com/avatar/91a00ca0ffb73de9f00a84dd69d4cc38?s=170&r=g&default=https%3A%2F%2Fthetheatretimes.com%2Fwp-content%2Fplugins%2Fwp-first-letter-avatar%2Fimages%2Fdefault%2F256%2Flatin_c.png' class='avatar avatar-170 photo wpfla ' width='170' height='170' />

author

“Where I Call Home”: Translating “Gens du pays”

Posted by Charis Ainslie | 14th Nov 2021 | Essay, London, Translation, United Kingdom

Wolves and a dark night. The perfect match. Those lines get me every time. From the first time I...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Most Popular Posts

A Director Needs “to Practice What They… by Ivanka Apostolova Baskar 31st July 2022
Barcelona Art Scene: “Next to Normal Immersive” at… by Alexander Fatouros 13th July 2022
Divas Are Forever: Marina Abramović’s “7… by Marisa C. Hayes 20th September 2021
An Interview with Prof. Ana Stojanoska—Theater… by Ivanka Apostolova Baskar 26th July 2022
A Manifesto for the Future Stage: Performance Is a… by Future Stage Research Group At MetaLAB At Harvard 20th November 2021
Unmanly Griefs: Robert Icke’s “Hamlet” by Jonathan Kalb 19th July 2022
The Musical “Notre Dame de Paris”… by Lisa Monde 27th July 2022
The Troubled State of Performing Arts in Hong Kong by Molly Grogan 10th July 2022
“The Last Trial” Musical: There Once Was… by Tanya Vasylkevych 3rd October 2021
Int’l Istanbul Opera Festival to Start in July… by Daily Sabah 14th July 2022

Recent Posts

”Seven Women in Search of Mia” or ”Breast Cancer Trilogy” (A Postproduction Reflection) 1st August 2022
A Director Needs “to Practice What They Preach”: An Interview with Milosh Andonovski, Theatre Director and Educator 31st July 2022
“Murat IV” Opera to tell Ottoman Sultan’s Story in Istanbul 30th July 2022
With “The Tenant of Wildfell Hall” at The Sydney Theatre Company Gives Us a Brontë Adaptation for Our Moment 29th July 2022
Girish Karnad Speaks to Arshia Sattar and Anmol Tickoo just a Few Days Before His Death 28th July 2022
The Musical “Notre Dame de Paris” Returns to the United States 27th July 2022
An Interview with Prof. Ana Stojanoska—Theater Scholar, Writer, and Poet 26th July 2022
In Finucane & Smith’s “Future. Joy. Club.” the Joy is Much More Than the Sum of Its Parts 25th July 2022
“The Fellowship,” Hampstead Theatre 24th July 2022
The Death of Madam Dupin: Is the Balkan the Sub-Saharan Africa of Europe? 23rd July 2022

SEARCH OUR ARCHIVES

Pin It on Pinterest