“The Shadow Whose Prey the Hunter Becomes”: Who Decides Who We re?
In 2009 I wrote an email to the artistic director of Back to Back Theatre, Bruce Gladwin, gushing...
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Bryoni Trezise
In Suzie Miller’s “Prima Facie,” Theatre Finds a Voice of Reckoning on Sexual Assault and The Law
Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...
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“The Long Forgotten Dream” Raises Uneasy Questions About Performance And Colonization
A large, ochred sail swells, rolls and eases in the heavens of the stage. It forms both ceiling...
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“The Town Hall Affair” Brings Germaine Greer’s 1970s Feminist Debate Roaring Into The Present
The moment was 1971, Labour Day’s eve. The context: a biting critique of feminism published by...
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“Mr Burns”: Post-Apocalyptic Simpsons Musical Shows Theatre’s Future Is Dazzling
There has been a nuclear event. The grid is down. The radio is out. Most are dead, and those who...
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“Twelfth Night” and Cross-Mobility Casting
Renowned Shakespearean actor Robert Armin wrote in 1608 of the difference between a “natural” and...
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