Renu Ramanath

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Theatreperson Phillip Zarrilli on Adopting and Adapting Intercultural Techniques in his Teachings and Works

Posted by Renu Ramanath | 17th Feb 2020 | India, Interview, Transcultural Collaborations, United States of America

The actor-director was at the 12th International Theatre Festival of Kerala (ITFoK) in Thrissur...

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Between the Virtual and Real

Posted by Renu Ramanath | 4th Nov 2019 | Adaptation, Immersive Theatre, India, Review

Four strangers, a car and a video call make the play Bhranthu an unconventional visual experience....

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Staging A Comeback: Theatre in Kerala Recovers from Floods

Posted by Renu Ramanath | 23rd Jan 2019 | Festivals, India, News

Despite floods disrupting schedules, the theatre scene in Kerala managed to steal the show this...

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The Focus Is On The Power Of Those On The Margins: 33 Performances, Representing 14 Countries

Posted by Renu Ramanath | 12th Feb 2018 | Festivals, India, LGBTQ+ Theatre, News, Theatre and Disability, Theatre and Gender, Theatre and Politics

The 10th edition of ITFoK touches upon diverse themes such as gender, identity, displacement, and...

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Recent Posts

Theatre – Creating Conditions For What Has Been Silenced To Emerge 16th May 2026
“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre 16th May 2026
“The Cherry Orchard”: The Comedy Of Ruins 15th May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home 13th May 2026
“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre 13th May 2026
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At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On 5th May 2026
Guilt And Resilience, And “The Fear Of 13” 3rd May 2026
Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine 2nd May 2026

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