Massimo Malavasi

author

“The Magic Flute” on Sferisterio from Macerata

Posted by Massimo Malavasi | 17th Sep 2018 | Italy, Review, Theatre and Opera

Sferisterio of Macerata. July 20th 2018 Mozart’s Magic Flute is one of the most famous and...

Read More

“La Traviata” at the Teatro Sociale in Rovigo

Posted by Massimo Malavasi | 1st Apr 2018 | Italy, Review, Theatre and Opera

On February 18th, 2018, Giuseppe Verdi’s La Traviata was staged at the Teatro Sociale in...

Read More

“La Principessa Della Czarda”: Do You Know What Operetta Is?

Posted by Massimo Malavasi | 10th Mar 2018 | Italy, Review, Theatre and Opera

Do you know what operetta is? Literally, it indicates a small opera, mostly in one act, with a...

Read More

“Tosca” at The Theatre Comunale di Bologna

Posted by Massimo Malavasi | 7th Jan 2018 | Italy, Review, Theatre and Opera

If you perform Puccini, and Tosca even more, you’re sure of success. The Theatre Comunale di...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Tim Crouch’s “The Tempest” at The Globe by Duška Radosavljević 1st April 2026
“Figures In Extinction:” A Dance Trilogy Report by Maria Wojtan, Magdalena Borowska, Natalia Rutkowska, Barbara Herbasz 17th March 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026
New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026
On Fire: Luciana Acuña’s “Bailarinas Incendiadas”… by Maria Delgado 29th March 2026
Poetry: The Realm Where Unrealized Ambitions Find… by Ivanka Apostolova Baskar 19th March 2026

Recent Posts

Adaptations On The German Stage (3): Theater Bremen Is Keen On The Long Haul 10th April 2026
GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown” 8th April 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion 8th April 2026
Memories Of And Acting In Old Age Are Central To “Ein Deutsches Leben” 8th April 2026
Lyle Kessler Receives Lifetime Achievement Award In Playwriting 7th April 2026
Everything In Programming Matters To Cultivate The Spectator`S Free Will 7th April 2026
David Yazbek: The Master of Adapting Films into Musicals. An Exclusive Interview 2nd April 2026
The Auto-fictional Mode As A Variation Of Biographical Material In The Theatre 1st April 2026
Tim Crouch’s “The Tempest” at The Globe 1st April 2026
On Fire: Luciana Acuña’s “Bailarinas Incendiadas” (Dancers in Flames) 29th March 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest