Esplanade

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Enlarging The World For Little ‘Uns

Posted by Esplanade | 14th Dec 2018 | Israel, Puppetry, Review, Theatre for Young Audiences

How puppetry makes big issues relatable to children Their unvarying intensity of facial...

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Film Stars + Live Theatre = Awesome

Posted by Esplanade | 13th Dec 2018 | News, Singapore, Theatre and Film

Seven things we love about NT Live at Esplanade. “Furiously exciting” and “politically urgent” are...

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PLAYtime! Is Serious Business

Posted by Esplanade | 12th Dec 2018 | Interview, Singapore, Theatre for Young Audiences

Young Artist Award recipient Ian Loy has carved himself a niche in the Singapore arts scene...

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From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
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Recent Posts

Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human? 8th May 2026
At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On 5th May 2026
Guilt And Resilience, And “The Fear Of 13” 3rd May 2026
Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine 2nd May 2026
“Managed Approach” – Two Contrasting Stories – Open Aire Theatre, Riverside Studios, London 1st May 2026
Maxim Sukhanov – About The “Brew” Of A Performance, Krymov Rehearsals, “Dramatic Provocations” And The “Hope For The Good”. 1st May 2026
Bound To Start Again, Again, Again… 27th April 2026
The Wooster Group’s “Nayatt School Redux” at the Coronet Theatre: Made-Over Experimental Classic Marks A Great Comeback 25th April 2026
“Jen Xponential,” A Story Of Potential 24th April 2026
“Frankenstein (History Of Hate)” 23rd April 2026

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