March 2026 - The Theatre Times

The 2026 International Ibsen Award: A Reflection On The Winner By The Committee

Posted by International Ibsen Award Committee 2026 | 27th Mar 2026 | News, Norway, South Korea, Transmedia

A week ago today, the winner of the 2026 Ibsen International Award was announced by the Norwegian...

Sibling love and loss: Alfredo Sanzól’s new play at Madrid’s Teatro María Guerrero

Posted by Maria Delgado | 26th Mar 2026 | Review, Spain

For his newest play, La última noche con mi hermano (The Last Night With My Brother), Alfredo...

Moving Emphasis On Tolerance And Courage In “Nasser # 7 Leben” At The Schnürschuh Theater Bremen

Posted by Daniel Meyer-Dinkgräfe | 26th Mar 2026 | Directing, Germany, Review, Theatre for Young Audiences

The Schnürschuh-Theater in Bremen was founded in 1976 and has been at its current location since...

From Shakespeare To Contemporary Montenegrin Authors, I Aim To Connect With Society Through The Works I Choose

Posted by Ivanka Apostolova Baskar | 25th Mar 2026 | Directing, Festivals, Interview, Macedonia, Montenegro

An Interview with theatre director and theatre festival manager Zoran Rakocevic,...

New York City Fringe Begins April 1

Posted by Marcina Zaccaria | 25th Mar 2026 | Featured, Festivals, Interview, New York

It is ridiculous to think that it’s not enough to curate a Festival. I would stack up our good to bad ratio against any network season, any Hollywood studio, any program season. It’s impossible to look at a script six months out and know what you’re going to have on stage. It’s just not possible. I’ve helped curate too many Festivals to know that what we read has nothing to do with what ends up on stage, so this method is has been tested since 2007, and we have some amazing shows come through here.

To speak out or not to speak out?: Claudio Tolcachir directs “Mejor no decirlo/You Shouldn’t Have Said So” at Barcelona’s Teatre Goya

Posted by Maria Delgado | 24th Mar 2026 | Argentina, Review, Spain

What does it mean to be honest with your partner? This is the premise that governs Salomé...

Waking Up in the Spotlight with “The Unusual Chauncey Faust”

Posted by Alexander Fatouros | 24th Mar 2026 | New York, Review, Theatre and Art, United States of America

If you’ve ever felt like you were just playing a part in your own life—waiting for a big break or...

Poetry: The Realm Where Unrealized Ambitions Find Aesthetic Sublimation

Posted by Ivanka Apostolova Baskar | 19th Mar 2026 | Interview, Macedonia, Slovenia, Translation

An Interview with Mr. Muanis Sinanovic (Slovenia), poet, writer, essayist, and critic. Muanis...

“Figures In Extinction:” A Dance Trilogy Report

Posted by Maria Wojtan, Magdalena Borowska, Natalia Rutkowska, Barbara Herbasz | 17th Mar 2026 | Essay, Poland, United Kingdom

In February 2025, after completing The Geography of the Theatre Imagination: The Case of...

When It Comes For Us: “Prophet Song”

Posted by Berna Ataoğlu | 17th Mar 2026 | Adaptation, Canada, Netherlands, Review, Theatre and Politics

Adapted from the Booker Prize–winning novel by Irish author Paul Lynch, Prophet Song is staged by...

Fassbinder Takes The Stage At The Schaubühne

Posted by Milton Coykendall | 16th Mar 2026 | Adaptation, Directing, Germany, Review

I first saw Rainer Werner Fassbinder’s Film, The Marriage of Maria Braun not long after it first...

Marketing, Sales And Production Are Crucial For The Survival And Success Of Any Project

Posted by Ivanka Apostolova Baskar | 16th Mar 2026 | China, Interview, Israel, Management

An Interview with Mr. Meir Bar-Giora (Hungary/Israel/China), theatre and performing arts agent...

Romeo Castellucci “Believing In Masks” At Milan’s Fog Festival

Posted by Margaret Rose | 13th Mar 2026 | Directing, Festivals, Italy, Review

FOG, Milan’s performing arts festival, is back with some rare treats for theatregoers keen to...

“Last Call” Brings Us Closer To Bernstein And Von Karajan

Posted by Daniel Meyer-Dinkgräfe | 13th Mar 2026 | Directing, Germany, Playwriting, Review

Plays about famous people have always held special attraction to dramatists, theatres and...

“Is Love Energy Or Matter?” An Interview With Rok Vilcnik, Slovenian Playwright, Author, Musician, Poet

Posted by Ivanka Apostolova Baskar | 11th Mar 2026 | Interview, Macedonia, Playwriting, Slovenia

Rok Vilčnik (b. 1968), also known as rokgre, is a prominent Slovenian author, poet, playwright,...

The Piccolo Theatro’s “Miracle In Milan”

Posted by Margaret Rose | 11th Mar 2026 | Adaptation, Italy, Review

On the opening night of Miracle in Milan at the Piccolo Teatro Strehler, the excitement of the...

“An Enemy Of The People:” An Oblique Look At Democracy From Schaubühne Berlin

Posted by Katerina Pestamatzoglou | 9th Mar 2026 | Germany, Greece, Review, Theatre and Politics, Transcultural Collaborations

An Enemy of the People was first introduced to Greek audiences in 1902 by the pioneering “New...

A Beer And A Mop

Posted by Jonathan Kalb | 7th Mar 2026 | Acting, New York, Playwriting, Review, United States of America

Jake Brasch’s The Reservoir tells the story of a charmingly self-deprecating, openly gay NYU...

“Digital Access To The Performing Arts” Released Open Access

Posted by The Theatre Times | 7th Mar 2026 | Australia, Books, Essay, Europe, Transmedia, United Kingdom, United States of America

The newly published book Digital Access to the Performing Arts: A Comparative Study of Legal and...

Dea Loher’s New Play “Frau Yamamoto Ist Noch Da” In Bremen And Osnabrück

Posted by Daniel Meyer-Dinkgräfe | 5th Mar 2026 | Directing, Germany, Review

Dea Loher (b. 1964), has been a prominent German dramatist since the world premiere of her first...

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Month: March 2026