Review: “The Merchant Of Venice,” Shakespeare’s Comedy Of Cruelty
The Merchant Of Venice (first published in 1600) boasts a problematic and sometimes controversial...
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Month: May 2015
Where are Women’s Voices in Translation?
Our correspondent Amelia Parenteau attended a “consciousness-raising” discussion of...
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The Solipsism of Risk
Australian theatre-maker, Olivia Satchell, explores the subjectivity of risk, and how artists...
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International Chekhov Theater Festival Opens In Moscow
The program includes stage productions from Argentina, the UK, Germany, Spain, Italy, China,...
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Building Bridges: Moscow Play Unites Deaf-Blind, Sighted And Hearing Actors
A play staged by Moscow’s Theater of Nations has become the first theatrical production in Russia...
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Looking Back and Moving Forward with Okello Kelo Sam
TheTheatreTimes correspondent Amelia Parenteau interviews Ugandan writer/performer Okello Kelo Sam...
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