Medea as a Border-Body [Part I]
Perhaps the 2024 production of La MaMa’s Medea, under Zishan Ugurlu’s direction and reimagining,...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
Perhaps the 2024 production of La MaMa’s Medea, under Zishan Ugurlu’s direction and reimagining,...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
To read PART I of this essay, go to this link. The snake that Medea uses to make her...
Read More


Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025