In Oldenburg’s “The Tempest,” Trusting The Text Pays Off
For this production of Shakespeare’s play, Oldenburgisches Staatstheateer used the 2007...
Read MorePosted by Daniel Meyer-Dinkgräfe | 6th Feb 2026 | Directing, Germany, Review
For this production of Shakespeare’s play, Oldenburgisches Staatstheateer used the 2007...
Read MorePosted by L. Peter Callender | 3rd Jan 2026 | Iran, Review, Theatre and Politics, United States of America
We all know the iconic closing lines: “For never was a story of more woe / Than this of...
Read MorePosted by Margaret Rose | 23rd Nov 2025 | Adaptation, Italy, Review
Two major productions of Richard III are touring Italy in the present season, a sign perhaps that...
Read MorePosted by Cristina Modreanu | 30th Aug 2025 | New York, Review, Theatre and Politics, United States of America
In a world where the rule is to make huge efforts to attain an “effortless, relaxed” look, the new...
Read MorePosted by Kasia Lech | 10th Jul 2025 | Festivals, News, Poland
Seventeen productions, including nine premieres, from Japan, Ukraine, the UK, Spain, and Poland,...
Read MorePosted by Duška Radosavljević | 15th May 2025 | Review, Theatre and Politics, United Kingdom
’To be or not to be’, that is a question with a completely new ring to it in Teatro La Plaza’s...
Read MorePosted by Emilija Kvočka | 14th May 2025 | Essay, Festivals, Serbia
The time of frozen catharsis is now. But what kind of theatre refuses purification? Theatre...
Read MorePosted by Ivanka Apostolova Baskar | 26th Mar 2025 | Festivals, Interview, Playwriting, Romania
An Interview with Mr. Horia Gârbea – Playwright, dramaturg, translator, Bucaresti, Romania Horia...
Read MorePosted by Margaret Rose | 31st Aug 2024 | Adaptation, Edinburgh 2024, Review, Scotland
A cast of young actors from diverse parts of the globe brought Malvolio’s Fantasy to the Space...
Read MorePosted by Margaret Rose | 18th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
On this year’s Edinburgh Fringe a raft of reimaginings of Shakespeare’s plays, by emerging and...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
A unique feature of Edinburgh’s Fringe festival is its inclusive nature. Professional and...
Read MorePosted by Margaret Rose | 14th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Hamlet, along with A Midsummer Night’s Dream, The Tempest and Macbeth, are probably the...
Read MorePosted by Margaret Rose | 18th Jul 2024 | Dramaturgy, Festivals, Italy, Review
After Brexit, UK productions very rarely play in Italy, but Biennale theatre directors Gianni...
Read MorePosted by Mert Dilek | 20th Dec 2023 | London, Review, United Kingdom
How to render Macbeth anew—and how to do it well? It’s a question that has undoubtedly preoccupied...
Read MorePosted by Margaret Rose | 1st Dec 2023 | Essay, Italy, Theatre and Age
Since 2015 my theatre studies colleague, Cristina Cavecchi, and I have been leading Shakespeare...
Read MorePosted by Kirk Dodd | 5th Nov 2023 | Australia, Review, Theatre and Gender
Shakespeare wrote his famous narrative poem Venus and Adonis in a lockdown era when, in 1593, the...
Read MorePosted by Emilija Kvočka | 5th Sep 2023 | Festivals, Review, Serbia
The tenth in a row international theatre festival “Shakespeare Festival”, whose...
Read MorePosted by Emma Smith | 5th May 2023 | Dramaturgy, Essay, United Kingdom
It has been 400 years since the publication of the first collected edition of Shakespeare’s plays,...
Read MorePosted by Penelope Woods | 11th Apr 2023 | London, Review, United Kingdom
The Winter’s Tale is one of Shakespeare’s great “hospitality plays” — a tragicomedy about what...
Read MorePosted by Clare Cioffero | 10th Apr 2023 | Acting, New York, Review, United States of America
A small boat sails the stage while a trap door serves as the river depths for one of the characters to sink beneath the waves. And as the story reaches its inevitable conclusion, a snowstorm complete with snow drifts – an element taken directly from the origin story of Arden.
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