Playing with “White is Purity” in Pirandello’s “Comme tu me veux”
In 2017, the cosmetics company Nivea released an advert that was promptly pulled: a white woman’s...
Read MorePosted by Lara Cox | 19th Sep 2021 | France, Review, Theatre and Art
In 2017, the cosmetics company Nivea released an advert that was promptly pulled: a white woman’s...
Read MorePosted by Lara Cox | 29th May 2021 | Ireland, Review, Theatre and Film, Transmedia, United Kingdom
Pale Sister is the latest adaptation of the Sophoclean tragedy, Antigone (c. 441 BC), written by...
Read MorePosted by Aleks Sierz | 28th May 2019 | London, Playwriting, Review, United Kingdom
Royal Court’s Artistic Director Vicky Featherstone’s commitment to staging a diversity of...
Read MorePosted by Cassandra Silver | 17th Aug 2017 | Canada, Documentary Theatre, Festivals, News
Review: White Man’s Indian presents a new take on the coming-of-age narrative. Darla Contois’...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026