The Bounds, Royal Court
Every day this week I’m watching a football match, and now — after April’s production of Lydia...
Read MorePosted by Aleks Sierz | 4th Jul 2024 | Dramaturgy, Review, United Kingdom
Every day this week I’m watching a football match, and now — after April’s production of Lydia...
Read MorePosted by Aleks Sierz | 21st Aug 2018 | London, Playwriting, Review, United Kingdom
The Dark Web has an intriguing sound about it. Like something out of JRR Tolkien or JK Rowling, it...
Read MorePosted by Gillian Arrighi | 2nd Aug 2018 | Australia, Essay
In 1825, Reverend Lancelot Threlkeld watched an Aboriginal Dance of Welcome at Newcastle’s East...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 | M | T | W | T | F | S | S |
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