“Strength, Don’t Let Yourself Be Anyone’s” – BITEF, Belgrade, Serbia
The Belgrade International Theater Festival was founded in 1967 and to this day represents one of...
Read MorePosted by Emilija Kvočka | 26th Oct 2023 | Festivals, Review, Serbia
The Belgrade International Theater Festival was founded in 1967 and to this day represents one of...
Read MorePosted by Mert Dilek | 25th Oct 2019 | Adaptation, London, Review, United Kingdom
“Our family doesn’t get on,” sneers the eponymous matriarch of Maxim Gorky’s Vassa, now playing at...
Read MorePosted by Jiřina Hofmanová | 7th Feb 2019 | Czech Republic, Essay, Theatre and Politics
For the first article about Czech theatre, I’ve selected works by two young directors, who belong...
Read MorePosted by Anna Prosvetova | 1st Jul 2016 | Adaptation, Interview, Russia, Theatre and Gender
Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...
Read MorePosted by Phoebe Taplin | 25th Apr 2013 | Review, Russia, Theatre and Politics
A play in which the privileged are out of touch and the poor are getting poorer is all too apt in...
Read More
From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Chekhov’s “Uncle Vanja”, directed… by Duška Radosavljević 14th April 2026 
