“Strength, Don’t Let Yourself Be Anyone’s” – BITEF, Belgrade, Serbia
The Belgrade International Theater Festival was founded in 1967 and to this day represents one of...
Read MorePosted by Emilija Kvočka | 26th Oct 2023 | Festivals, Review, Serbia
The Belgrade International Theater Festival was founded in 1967 and to this day represents one of...
Read MorePosted by Mert Dilek | 25th Oct 2019 | Adaptation, London, Review, United Kingdom
“Our family doesn’t get on,” sneers the eponymous matriarch of Maxim Gorky’s Vassa, now playing at...
Read MorePosted by Jiřina Hofmanová | 7th Feb 2019 | Czech Republic, Essay, Theatre and Politics
For the first article about Czech theatre, I’ve selected works by two young directors, who belong...
Read MorePosted by Anna Prosvetova | 1st Jul 2016 | Adaptation, Interview, Russia, Theatre and Gender
Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...
Read MorePosted by Phoebe Taplin | 25th Apr 2013 | Review, Russia, Theatre and Politics
A play in which the privileged are out of touch and the poor are getting poorer is all too apt in...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 

Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

