Keishi Nagatsuka Navigates Cultural Differences In Bringing Play About Capital Punishment To Japan
For casual fans of film, the name Martin McDonagh only became familiar after the movie he wrote,...
Read MorePosted by Nobuko Tanaka | 29th May 2018 | Adaptation, Japan, News, Theatre and Politics, Translation
For casual fans of film, the name Martin McDonagh only became familiar after the movie he wrote,...
Read MorePosted by Jonathan Kalb | 7th Mar 2018 | New York, Review, Theatre and Politics, United States of America
New Yorkers have split into factions on Martin McDonagh since his plays first showed up here two...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026