“No Power for the Electric Chair ” – Crime of Theatrical Absurd
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
Read MorePosted by Emilija Kvočka | 16th Dec 2024 | Directing, Macedonia, Review
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
Read MorePosted by Deniz Başar and Handan Salta | 28th Jan 2022 | Interview, Kosovo, Theatre and Politics
Deniz Başar and Handan Salta attended Kosovo Theatre Showcase and apart from seeing the plays and...
Read MorePosted by Borisav Matić | 21st Nov 2021 | Adaptation, Kosovo, Review, Serbia, Transcultural Collaborations
Balkan Bordello: An Orgiastic Musical in the Aftermath of War Imagine yourself at a hedonistic...
Read MorePosted by Ivanka Apostolova Baskar | 17th Aug 2019 | Directing, Hungary, Interview, Macedonia, Transcultural Collaborations
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
Read MorePosted by Aleks Sierz | 20th Jul 2019 | London, Review, Theatre and Politics, United Kingdom
In the middle of the current decade, there was a mild vogue for reviving a handful of the great...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 