Medea as a Border-Body [Part I]
Perhaps the 2024 production of La MaMa’s Medea, under Zishan Ugurlu’s direction and reimagining,...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
Perhaps the 2024 production of La MaMa’s Medea, under Zishan Ugurlu’s direction and reimagining,...
Read MorePosted by Deniz Bașar | 10th Jul 2024 | Review, Theatre and Politics, United States of America
To read PART I of this essay, go to this link. The snake that Medea uses to make her...
Read MorePosted by Puskás Panni | 9th Mar 2019 | Directing, Hungary, Interview
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
Read MorePosted by Natália Pikli | 15th Dec 2018 | Hungary, Review
Shakespeare’s history play revolves around a strange creature, the monster of power. Yet it poses...
Read MorePosted by Katalin Gabnai | 1st Aug 2018 | Hungary, Review
Shakespeare: Richard III / Radnóti Miklós Theatre His face is yellow beneath the high-gloss strap...
Read MorePosted by Oana Stoica | 25th Feb 2017 | Essay, Romania
Historical Context Twenty‑five years after the fall of the communist regime, the performing arts...
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