“Albion” Returns to The Almeida, but Falls Short of Its Political Aspirations
There is nothing wrong with Albion. But the fact that the play is now ‘returning’ to the Almeida...
Read MorePosted by Julian De Medeiros | 25th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
There is nothing wrong with Albion. But the fact that the play is now ‘returning’ to the Almeida...
Read MorePosted by Aleks Sierz | 14th Feb 2020 | Essay, London, United Kingdom
“Fetch me ’ammer.” (Edward Bond, Saved) “Art is not a mirror held up to reality, but a hammer with...
Read MorePosted by Aleks Sierz | 11th Jan 2019 | Essay, London, Theatre and Politics, United Kingdom
Brexit. The UK Referendum vote to leave the European Union — Brexit — took place on 23 June 2016,...
Read MorePosted by Aleks Sierz | 31st Oct 2017 | London, Playwriting, Review, United Kingdom
Prolific writer Mike Bartlett is the most impressive penman to have emerged in British theatre in...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026