United States of America Archives - Page 2 of 56

“The Gilded Age” Season 3 Casting Secrets

Posted by Alexander Fatouros | 6th Jul 2025 | Directing, Interview, Los Angeles, New York, News, Theatre and Film, United States of America

Step into the opulent 1880s New York evoked by The Gilded Age, Julian Fellowes’ Emmy-winning HBO...

Off-Limits Love: Abby Rosebrock’s “Lowcountry,” A New Play at the Atlantic Theater

Posted by Jonathan Kalb | 4th Jul 2025 | Review, Theatre and Politics, United States of America

Abby Rosebrock’s Lowcountry, a new play directed by Jo Bonney at the Atlantic Theater, begins with...

Man Out Of The Blue

Posted by Jonathan Kalb | 10th Jun 2025 | Review, Theatre and Politics, United States of America

Angry Alan is an ickily pointed cautionary tale about an ordinary guy who falls into the rabbit...

Doctor, Doctor, Doctor

Posted by Jonathan Kalb | 8th Jun 2025 | Review, Theatre and Age, United States of America

Jeffrey Hatcher’s new version of The Imaginary Invalid, directed by Jesse Berger, is a smart and...

“The Cherry Orchard” By Benedict Andrews: A Stark Mirror For A Collapsing Present

Posted by Victoria Zavyalova | 7th May 2025 | Review, Theatre and Politics, United States of America

Benedict Andrews’ reinvention of Chekhov’s The Cherry Orchard at St. Ann’s Warehouse raises the...

Black and White. Aleksandr Volodin’s “Five Evenings,” directed by Eduard Tolokonnikov, produced by Polina Belkina, in New York City (March 20-30, May 28-June 15, 2025)

Posted by Vassili Schedrin | 2nd May 2025 | Dramaturgy, Review, Russia, United States of America

Soviet nonconformist art was emerged in the 1950s when artists dared to transcend the official...

Interview with Michael Salvatore Commendatore, Projection Designer for Disney’s Frozen at Children’s Theatre Company

Posted by Walter Byongsok Chon | 22nd Apr 2025 | Interview, Musical Theatre, Theatre for Young Audiences, United States of America

This is a video interview with Michael Salvatore Commendatore, projection designer for Disney’s...

Queer Surrealism in Two Sisters Find a Box of Lesbian Erotica in the Woods

Posted by Morgan Skolnik | 20th Apr 2025 | LGBTQ+ Theatre, New York, Review

Space Lesbians! Portals! Psychic Sisters! Oh my! These are just some of the elements introduced in...

Uncle Actor

Posted by Jonathan Kalb | 12th Apr 2025 | Adaptation, New York, Review

Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...

“Liberation.” Roundabout Theatre. Look Back to Know Where You Are

Posted by Cristina Modreanu | 7th Apr 2025 | Review, Theatre and Gender, United States of America

Did you knit your scarf? A woman asked me while we were waiting in the line for the restroom. No!...

The Beauty of Cultural Specificity in “Bubble Schmeisis”

Posted by Morgan Skolnik | 2nd Apr 2025 | New York, Review, Theatre and Religion

The room is thick with steam (ok, it’s smoke machine smoke), an accordion and clarinet cycle...

Underneath the Grass Roots

Posted by Jonathan Kalb | 2nd Apr 2025 | New York, Review, Theatre and Art

Alice Childress has been having a moment the past few years. This extraordinary Black playwright,...

The Rebellious Power of “Liberation” at Roundabout Theatre Company

Posted by Morgan Skolnik | 27th Mar 2025 | New York, Review, Theatre and Gender

Much like the women it centers on, Roundabout Theatre Company’s Liberation is rebellious and not...

Getting To an Emotional Truth With Padraic Lillis

Posted by Marcina Zaccaria | 19th Mar 2025 | Dramaturgy, Interview, Producing, United States of America

Getting to the truth – the emotional truth and understanding. I think emotion more than ideology. It resonates with us is how we feel. I can understand that we can be in conflict, I have an emotional connection to both sides of an emotional argument. I not only resonate and feel seen, then I have a better understanding of the person whose thought was in opposition of me.