FITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
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Romania
Theatre “Haunts” People
An Interview with Mr. Horia Gârbea – Playwright, dramaturg, translator, Bucaresti, Romania Horia...
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La Vie En Sickly Rose: Florian Zeller’s “The Son” at the German State Theatre
The entire stage is the same shade of pale, dusty pink: the extra-long couch and side tables, the...
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“Eréndira”: Show Business As Usual
Yuri Kordonsky’s Eréndira at the German State Theatre in Timișoara is a visually gorgeous,...
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Theatrical Tectonics: The Slowdown Entertainment of a José Rivera Play
A couple of hours before watching José Rivera’s play Cloud Tectonics staged at the German...
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On State Theatres and Minoritarian Theatres: Interview with Andrea Wolfer, Head of the Dramaturgy and PR Department of the German State Theatre in Timișoara, Romania
How is the German State Theatre different from other Romanian public theatres? Last year, when...
Read More![“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]](https://thetheatretimes.com/wp-content/uploads/2024/09/FIGURE4-627x376.jpg.webp)
“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]
To read PART I of this interview, go to this link. Hayel Ali Al-Mathabi: In light of this...
Read More“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part I]
Marina Hanganu is a theatre director, cultural manager and researcher exploring the intersection...
Read MorePlaywriting The “Next Generation.” How To Create A Character At The University Of Arts In Târgu-Mureș.
Ingeborg von Zadow and Elise Wilk in dialogue with Anda Cadariu Fabulamundi. Playwriting Europe. New Voices is a European project which aims to bring contemporary playwriting closer to the younger generations, addressing young...
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“Invisible Lands,” Bodies, Gods, and… People
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
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“Pericles” – An Odyssey from Timișoara
Depicting an odyssey on stage is rather a challenge, especially when the main means of transport...
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“Youth Without God;” Unkind, Realistic Reminder
TESZT 2024 brings, from Zagreb Youth Theatre, Borut Šeparović’s production Youth Without God, on a...
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Death Is Funny, Death is Lame, Death is Sudden, Death Can Happen to “Anybody”
A bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company – Szkéné...
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TESZT 15: Euroregional Theatre Festival Timișoara, Romania (19-26 May, 2024)
Within the rich landscape of Romanian theatre festivals, TESZT has carved out a niche as an...
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“The Book of Ruth”: Kaddish For Peaceful Life
The 10th edition of the Madách International Theatre Meeting in Budapest coincided with the Jewish...
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The Digital Spectator. Romanian Experiences During the Pandemic
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
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Acting Coach Bettina Lohmeyer In Conversation With Florentina Bratfanof: ”I Was Surprised To See Romanian Actors Were So Open”
Florentina Bratfanof, Casting Director, has been observed for five years in a row Susan Batson’s...
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The Revolution of Tragedies: An Interview with Romanian Director Andrei Majeri
During the very agonic and snail-slow, first foggy year under COVID of 2020, I met theater...
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Independent Theatre in Romania: “You Can’t Change the System from the Inside”
Founded in 2015, Theatre Arts Group (TAG) is an independent theatre company in Romania that trains...
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“Youth Everlasting and Life Without Death”: Performing Folk-tale and “Centriphery”
A Theoretical and Organizational Premise “Centriphery” is an on-going large-scale...
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