Lessing’s “Emilia Galotti” As Directorial Debut In Bremen
At German theatres, some assistant directors are employed for the duration of a production, from...
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Germany
German Summer Festival Theatre (2): Domfestspiele Verden, “Die Zündholzfrau”
In 1997, an association was founded in the German city of Verden on the river Aller, located...
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German Summer Festival Theatre (1): Theatersommer Wismar, Brecht/Weill The Threepenny Opera
Over the summer months, all of the publicly funded state and municipal theatres, as well as...
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Mark St Germain’s “Dancing Lessons” At Boulevard Münster In The Context Of The Ongoing Comedy Theatre Tradition In Germany
Germany’s theatre landscape is very rich indeed. Many cities have publicly owned and funded...
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Review Of “Bernarda Albas Haus,” Deutsches Schauspielhaus Hamburg, Première 2 November 2024.
Interpretations in cultures and languages external to Spain have been integral to the survival of...
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Starlight Express The Musical: 40 Years in The Orbit
Dedicated to the 40th anniversary of the first original production of the musical Starlight...
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Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
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Acting As Social Practice: Theater As A Tool To Initiate Dialogue In A Hyperdiverse Immigration Society
Artistic practice, which allows for the creation and re-creation of social spaces as testing...
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“The Bald Soprano,” French Absurd Theater Becomes a German Contemporary Opera Buffa
There are some myths about the opera that are not true. Firstly, that young people do not like...
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Marius von Mayenburg’s Nachtland at the Young Vic: Satire on Art and Anti-Semitism Is Both Absurdist and Unsettling
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
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More Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
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Multilingual Theatre For/With Young Audiences: On the Jeune Théâtre Européen Jeunes Publics Project
The growing levels of migration result in an increasing number of children across Europe growing...
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Interview with Brilliant Les Dramaturx (Germany): Playfully, In the Sense of Autonomous Art, or Politically, In the Sense of Artivism.
Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...
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“Fear Eats The Soul”: Love In The Grip of Hate
These two people are separated by history, geography, language, maths, and other school subjects...
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“Geometry of the Soul”, “Frozen Songs” and “Clowns’ Houses” at Novi Sad Theatre Festival
The second Novi Sad Theater Festival again provided an exciting seven-day festival repertoire for...
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Coming Soon: The 1st International Symposium on Contemporary Asian Theatre, University of Göttingen (Hybrid)
The University of Göttingen would like to invite you to The 1st International Symposium on...
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Refugees in Berlin (Excerpts From a Sort of Berlin Diary)
Dmitry Troyanovsky is a theatre and opera director living in Boston, MA. Born in Kyiv, Ukraine...
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Acting Coach Bettina Lohmeyer In Conversation With Florentina Bratfanof: ”I Was Surprised To See Romanian Actors Were So Open”
Florentina Bratfanof, Casting Director, has been observed for five years in a row Susan Batson’s...
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Free Performance: A Response to metaLAB’s futureStage Manifesto
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
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“Uncanny Valley” at The Battersea Arts Centre
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
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