For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 8th Jan 2026 | Directing, Germany, Review
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 2nd Jan 2026 | Directing, Germany, Review
The play Nebenan was premiered at Burgtheater Wien in 2022, based on the film of the same title...
Read MorePosted by Daniel Meyer-Dinkgräfe | 1st Jan 2026 | Directing, Germany, Review
In 2019, Landestheater Salzburg used a new translation of Ibsen’s An Enemy of the People as the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 12th Dec 2025 | Directing, Germany, Review
When the production first opened in 2022, critics commented on the fact that the play was being...
Read MorePosted by Daniel Meyer-Dinkgräfe | 4th Dec 2025 | Directing, Germany, Review, Theatre and Politics
Theater Bremen is currently showing the world premiere production of Der Zauberer von Öz – Eine...
Read MorePosted by Daniel Meyer-Dinkgräfe | 28th Nov 2025 | Adaptation, Directing, Germany, Review
Der Schimmelreiter (The Rider on the White Horse) is a novella by German writer Theodor Storm...
Read MorePosted by Daniel Meyer-Dinkgräfe | 20th Nov 2025 | Directing, Essay, Germany
Since August 2019, I have owned and run the chamber theatre, piccolo teatro Haventheater, in...
Read MorePosted by Daniel Meyer-Dinkgräfe | 29th Oct 2025 | Directing, Germany, Review
Sein oder nicht sein is a play by Nick Whitby (b.1963), premiered on Broadway in 2008, and first...
Read MorePosted by Daniel Meyer-Dinkgräfe | 27th Oct 2025 | Directing, Germany, Review
This six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
Read MorePosted by Victoria Zavyalova | 20th Oct 2025 | Directing, Germany, Review, United States of America
In All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
Read MorePosted by Daniel Meyer-Dinkgräfe | 10th Oct 2025 | Directing, Germany, Review
The small district of Schnoor in the northern German city of Bremen, consisting of some 100...
Read MorePosted by Daniel Meyer-Dinkgräfe | 9th Sep 2025 | Directing, Germany, Review
At German theatres, some assistant directors are employed for the duration of a production, from...
Read MorePosted by Daniel Meyer-Dinkgräfe | 25th Aug 2025 | Festivals, Germany, Review
In 1997, an association was founded in the German city of Verden on the river Aller, located...
Read MorePosted by Daniel Meyer-Dinkgräfe | 24th Aug 2025 | Festivals, Germany, Review
Over the summer months, all of the publicly funded state and municipal theatres, as well as...
Read MorePosted by Daniel Meyer-Dinkgräfe | 28th Jul 2025 | Germany, Management, Review
Germany’s theatre landscape is very rich indeed. Many cities have publicly owned and funded...
Read MorePosted by Geraldine Brodie | 3rd Mar 2025 | Germany, Review, Theatre and Gender
Interpretations in cultures and languages external to Spain have been integral to the survival of...
Read MorePosted by Lisa Monde | 14th Nov 2024 | Europe, Germany, Interview, Musical Theatre, Review
Dedicated to the 40th anniversary of the first original production of the musical Starlight...
Read MorePosted by Yizhou Zhang | 5th Sep 2024 | Germany, South Africa, Theatre and Dance, Theatre and Decolonization
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
Read MorePosted by Haytham Hmeidan | 26th Aug 2024 | Essay, Germany, Theatre and Politics
Artistic practice, which allows for the creation and re-creation of social spaces as testing...
Read MorePosted by Antonio Hernández Nieto | 18th Mar 2024 | Germany, Review, Theatre and Opera
There are some myths about the opera that are not true. Firstly, that young people do not like...
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