The Second Breakfast Company’s “The Moon is Less Bright”: A New Phase
The Second Breakfast Company restaging Goh Poh Seng’s The Moon is Less Bright is akin to grabbing...
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Singapore
Mayfly Docus: “Die Tomorrow” And “14 Apples” At SIFA’s “Singular Screens”
At this year’s Singapore International Festival of Arts (SIFA), the two films from Southeast...
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“Potong” By Teater Ekamatra: Of Kin And Skin
We’ve been seeing a variety of theatre revolving around dementia and its effects on families in...
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“Kumar50”: The Star of the Singapore Drag Scene
Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...
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Life Isn’t a Beach in “Einstein in the Carpark”
If the avant garde director Robert Wilson died and went to purgatory, Einstein in the Carpark is...
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“Forked” Privilege Gets Served
Jo Tan’s playwriting debut offers a simple yet familiar story of one Singaporean girl with big...
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Looking Within With “Attempts: Singapore”
Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore,...
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A Look Back at the Asian Intercultural Conference 2017: Interview with T. Sasitharan
As part of the media partnership with Intercultural Theatre Institute (ITI), culture360 has...
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“The Neighbor’s Grief is Greener”: A Dark Domesticity
A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring...
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The Easy Trigger Of “Guilty Landscapes III”
Given that the publicity synopsis to Dries Verhoeven’s video installation pretty much tells all,...
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“Hanuman: The Superhero Monkey” Showcases Enchanting Music
This afternoon, we checked out The Little Company’s Hanuman: The Superhero Monkey, a multimedia...
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Between Masculinity and Modernity: “Best Of (His Story)”
In 2013, award-winning actress Siti Khalijah Zainal brought Singapore’s company, The...
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