Singapore Archives - Page 2 of 2

The Second Breakfast Company’s “The Moon is Less Bright”: A New Phase

Posted by Eugene Koch | 12th Jun 2018 | Review, Singapore

The Second Breakfast Company restaging Goh Poh Seng’s The Moon is Less Bright is akin to grabbing...

Mayfly Docus: “Die Tomorrow” And “14 Apples” At SIFA’s “Singular Screens”

Posted by Arts Equator | 1st Jun 2018 | Festivals, News, Singapore, Thailand

At this year’s Singapore International Festival of Arts (SIFA), the two films from Southeast...

“Potong” By Teater Ekamatra: Of Kin And Skin

Posted by Akanksha Raja | 10th May 2018 | Review, Singapore

We’ve been seeing a variety of theatre revolving around dementia and its effects on families in...

“Kumar50”: The Star of the Singapore Drag Scene

Posted by Eugene Tan | 29th Mar 2018 | LGBTQ+ Theatre, Review, Singapore, Theatre and Politics, Transcultural Collaborations

Marking Kumar’s 50th year alive, and the start of Dream Academy’s 2018 season at the Capitol...

Life Isn’t a Beach in “Einstein in the Carpark”

Posted by Corrie Tan | 13th Mar 2018 | Festivals, Immersive Theatre, Review, Singapore

If the avant garde director Robert Wilson died and went to purgatory, Einstein in the Carpark is...

“Forked” Privilege Gets Served

Posted by Richard Chung | 14th Feb 2018 | Playwriting, Review, Singapore

Jo Tan’s playwriting debut offers a simple yet familiar story of one Singaporean girl with big...

Looking Within With “Attempts: Singapore”

Posted by Patricia Tobin | 13th Feb 2018 | Immersive Theatre, Review, Singapore, Transmedia

Spoiler Alert: If you’re planning to experience the mystery and suspense of Attempts: Singapore,...

A Look Back at the Asian Intercultural Conference 2017: Interview with T. Sasitharan

Posted by Valentina Riccardi | 12th Feb 2018 | Directing, Interview, Singapore

As part of the media partnership with Intercultural Theatre Institute (ITI), culture360 has...

“The Neighbor’s Grief is Greener”: A Dark Domesticity

Posted by Ezekiel Oliveira | 4th Feb 2018 | Israel, Review, Singapore, Theatre and Dance, Theatre and Gender

A dreamy, perfect 1950’s housewife stands in the middle of a kitchen, cracking eggs and stirring...

The Easy Trigger Of “Guilty Landscapes III”

Posted by Chan Sze-Wei | 20th Sep 2017 | Review, Singapore

Given that the publicity synopsis to Dries Verhoeven’s video installation pretty much tells all,...

“Hanuman: The Superhero Monkey” Showcases Enchanting Music

Posted by Pooja Makhijani | 5th Apr 2017 | Singapore, Theatre for Young Audiences

This afternoon, we checked out The Little Company’s Hanuman: The Superhero Monkey, a multimedia...

Between Masculinity and Modernity: “Best Of (His Story)”

Posted by Kathy Rowland | 13th Dec 2016 | Review, Singapore, Theatre and Gender

In 2013, award-winning actress Siti Khalijah Zainal brought Singapore’s company, The...

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Singapore

The Second Breakfast Company’s “The Moon is Less Bright”: A New Phase

Mayfly Docus: “Die Tomorrow” And “14 Apples” At SIFA’s “Singular Screens”

“Potong” By Teater Ekamatra: Of Kin And Skin

“Kumar50”: The Star of the Singapore Drag Scene

Life Isn’t a Beach in “Einstein in the Carpark”

“Forked” Privilege Gets Served

Looking Within With “Attempts: Singapore”

A Look Back at the Asian Intercultural Conference 2017: Interview with T. Sasitharan

“The Neighbor’s Grief is Greener”: A Dark Domesticity

The Easy Trigger Of “Guilty Landscapes III”

“Hanuman: The Superhero Monkey” Showcases Enchanting Music

Between Masculinity and Modernity: “Best Of (His Story)”

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