Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker
In the opening scene of Puana, a musical play written and directed by Professor Tammy Haili‘ōpua...
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Chinese Theatre Abroad
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro
Before the Storm is set in a rather dilapidated dressing room where an elderly actor waits to go...
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How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity”
The morning of the day I saw Narcissister’s spellbinding and stunningly original Voyage Into...
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Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage
Many, especially prestigious, new productions of Chekhov’s The Seagull in the UK and USA...
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Under The Radar Fest: Testo
Wet Mess is a captivating performer with a playfully defined aesthetic. Their checkerboard face...
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Sharing Crafts, Or Laboratory Space
Encounters between artists and practitioners are invariably profound experiences, where knowledge...
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For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
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Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling
New Year, new line up of West End stars. This time it’s the turn of Olivier-Award-winner Sheridan...
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Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room
A towering figure in Chicago theatre, Charles Newell—former Marilyn F. Vitale Artistic Director of...
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Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen
It’s very hard to define Chiao-Jung Chen as one kind of artist, for she is someone who works...
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Echoes of a Crumbling Republic: Review of “Berlin” at Chicago’s Court Theatre (2025)
Berlin at Chicago’s Court Theatre (April–May 2025) was nothing short of a theatrical...
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“Leili And Majnun:” An Ancient Love Story For Modern Times
We all know the iconic closing lines: “For never was a story of more woe / Than this of...
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“With Ruby and I” – review – more McDonagh than Robinson
“So high you can kiss the sky” is one of the many iconic lines from With Ruby and I, a debut show...
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Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo
How do forgiveness and reconciliation projects help heal a country’s collective trauma and...
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Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin
The play Nebenan was premiered at Burgtheater Wien in 2022, based on the film of the same title...
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Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer”
There are directors who have gotten us accustomed to treading on unconventional paths. They have...
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Gender Allows A Different Perspective On Ibsen’s “Der Volksfeind” (“An Enemy Of The People”) In Bremerhaven
In 2019, Landestheater Salzburg used a new translation of Ibsen’s An Enemy of the People as the...
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What Happens In Mecca, Stays In Mecca: “Pilgrimage” By Humaira Ghilzai And Bridgette Dutta Portman
Golden Thread Productions and Z Space’s world premiere of Pilgrimage, written by Humaira...
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![„Nie Mów Nikomu” [Do Not Tell Anyone], dir. by Adam Ziajski, Scena Robocza, Poznań, Photo by Maciej Zakrzewski](https://thetheatretimes.com/wp-content/uploads/2017/12/Nie-Mow-Nikomu-Picture-2-150x150.jpg)