“All Right. Good Night.:” A Poetic Meditation on the Art of Letting Go
In All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
Read Moreby Victoria Zavyalova | Oct 20, 2025 | Directing, Germany, Review, United States of America | 0
In All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
Read Moreby Sariva Goetz | Oct 11, 2025 | Essay, Musical Theatre, Theatre and Gender, United States of America | 0
When I was four years old, I asked my parents for piano lessons. We always had a piano in the...
Read Moreby Daniel Meyer-Dinkgräfe | Oct 10, 2025 | Directing, Germany, Review | 0
The small district of Schnoor in the northern German city of Bremen, consisting of some 100...
Read Moreby Aleks Sierz | Sep 30, 2025 | Documentary Theatre, Review, Theatre and Politics, United Kingdom | 0
Broken Britain has a big problem with youth. About a million of those aged 16 to 24 are NEETs (not...
Read Moreby Emilija Kvočka | Sep 30, 2025 | Montenegro, Review, Theatre and Dance | 0
“By the term theatre we do not only mean its expressive linguistic side, but also the cultural,...
Read Moreby Ati Metwaly | Sep 26, 2025 | Egypt, Essay, Festivals | 0
The Cairo International Festival for Experimental Theater (CIFET) has long been a vital platform for the boundary-pushing theatrical voices in the Arab world, and beyond. Recently, debates have emerged over whether to keep “experimental” in its name, as the festival faces pressure to broaden its scope and attract wider audiences. The question now is how to balance honoring the festival’s experimental roots while evolving to meet the changing theatrical landscape of the 21st century.
Read Moreby Aleks Sierz | Sep 26, 2025 | Acting, Dramaturgy, London, Review, United Kingdom | 0
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
Read Moreby Victoria Zavyalova | Sep 19, 2025 | Adaptation, New York, Review, United States of America | 0
With minimal décor and symbolism in every gesture, The Mutt — an adaptation of Dostoevsky’s The...
Read Moreby Ivanka Apostolova Baskar | Sep 17, 2025 | Dramaturgy, Hong Kong, Interview, Macedonia, Transcultural Collaborations | 0
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
Read Moreby Ivanka Apostolova Baskar | Sep 15, 2025 | Acting, Interview, Macedonia | 0
Interview with Sandra Gribovska Ilievska, theatre actress, Bitola, R. Macedonia Sandra Gribovska...
Read Moreby Marta Bryś | Sep 11, 2025 | Festivals, Poland, Review | 0
The International Shakespeare Festival in Gdańsk is not the festival of masterpieces and it never...
Read Moreby Daniel Meyer-Dinkgräfe | Sep 9, 2025 | Directing, Germany, Review | 0
At German theatres, some assistant directors are employed for the duration of a production, from...
Read Moreby Ivanka Apostolova Baskar | Sep 5, 2025 | Belgium, Interview, Management | 0
An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
Read Moreby Ivanka Apostolova Baskar | Aug 31, 2025 | Austria, Dramaturgy, Interview, Macedonia | 0
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
Read Moreby Cristina Modreanu | Aug 30, 2025 | New York, Review, Theatre and Politics, United States of America | 0
In a world where the rule is to make huge efforts to attain an “effortless, relaxed” look, the new...
Read Moreby Ivanka Apostolova Baskar | Aug 28, 2025 | Acting, Interview, Macedonia | 0
An Interview with wonderful talented actresses Jovana Miladinova, Skopje, R.N. Macedonia....
Read Moreby Mert Dilek | Aug 28, 2025 | Edinburgh 2025, Review, United Kingdom | 0
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read Moreby Margaret Rose | Aug 27, 2025 | Edinburgh 2025, Review, United Kingdom | 0
Writer-actor Alan Bissett’s When Billy met Alasdair imagines what happened when Alasdair Gray...
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