The Auto-fictional Mode As A Variation Of Biographical Material In The Theatre
Falk Richter was born in 1969. He studied linguistics, philosophy and theatre directing at the...
Read Moreby Daniel Meyer-Dinkgräfe | Apr 1, 2026 | Directing, Germany, Review | 0
Falk Richter was born in 1969. He studied linguistics, philosophy and theatre directing at the...
Read Moreby Duška Radosavljević | Apr 1, 2026 | London, Review, United Kingdom | 0
Who better to breathe new life into Shakespeare’s Tempest than Tim Crouch – a magician...
Read Moreby Maria Delgado | Mar 29, 2026 | Argentina, Review | 0
Luciana Acuña is one of the most exciting figures in contemporary dance. Her energy lit up La edad...
Read Moreby International Ibsen Award Committee 2026 | Mar 27, 2026 | News, Norway, South Korea, Transmedia | 0
A week ago today, the winner of the 2026 Ibsen International Award was announced by the Norwegian...
Read Moreby Maria Delgado | Mar 26, 2026 | Review, Spain | 0
For his newest play, La última noche con mi hermano (The Last Night With My Brother), Alfredo...
Read Moreby Daniel Meyer-Dinkgräfe | Mar 26, 2026 | Directing, Germany, Review, Theatre for Young Audiences | 0
The Schnürschuh-Theater in Bremen was founded in 1976 and has been at its current location since...
Read Moreby Ivanka Apostolova Baskar | Mar 25, 2026 | Directing, Festivals, Interview, Macedonia, Montenegro | 0
An Interview with theatre director and theatre festival manager Zoran Rakocevic,...
Read MoreIt is ridiculous to think that it’s not enough to curate a Festival. I would stack up our good to bad ratio against any network season, any Hollywood studio, any program season. It’s impossible to look at a script six months out and know what you’re going to have on stage. It’s just not possible. I’ve helped curate too many Festivals to know that what we read has nothing to do with what ends up on stage, so this method is has been tested since 2007, and we have some amazing shows come through here.
Read Moreby Maria Delgado | Mar 24, 2026 | Argentina, Review, Spain | 0
What does it mean to be honest with your partner? This is the premise that governs Salomé...
Read Moreby Alexander Fatouros | Mar 24, 2026 | New York, Review, Theatre and Art, United States of America | 0
If you’ve ever felt like you were just playing a part in your own life—waiting for a big break or...
Read Moreby Ivanka Apostolova Baskar | Mar 19, 2026 | Interview, Macedonia, Slovenia, Translation | 0
An Interview with Mr. Muanis Sinanovic (Slovenia), poet, writer, essayist, and critic. Muanis...
Read Moreby Maria Wojtan, Magdalena Borowska, Natalia Rutkowska, Barbara Herbasz | Mar 17, 2026 | Essay, Poland, United Kingdom | 0
In February 2025, after completing The Geography of the Theatre Imagination: The Case of...
Read Moreby Berna Ataoğlu | Mar 17, 2026 | Adaptation, Canada, Netherlands, Review, Theatre and Politics | 0
Adapted from the Booker Prize–winning novel by Irish author Paul Lynch, Prophet Song is staged by...
Read Moreby Milton Coykendall | Mar 16, 2026 | Adaptation, Directing, Germany, Review | 0
I first saw Rainer Werner Fassbinder’s Film, The Marriage of Maria Braun not long after it first...
Read Moreby Ivanka Apostolova Baskar | Mar 16, 2026 | China, Interview, Israel, Management | 0
An Interview with Mr. Meir Bar-Giora (Hungary/Israel/China), theatre and performing arts agent...
Read MoreFOG, Milan’s performing arts festival, is back with some rare treats for theatregoers keen to...
Read Moreby Daniel Meyer-Dinkgräfe | Mar 13, 2026 | Directing, Germany, Playwriting, Review | 0
Plays about famous people have always held special attraction to dramatists, theatres and...
Read Moreby Ivanka Apostolova Baskar | Mar 11, 2026 | Interview, Macedonia, Playwriting, Slovenia | 0
Rok Vilčnik (b. 1968), also known as rokgre, is a prominent Slovenian author, poet, playwright,...
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