Chinese Theatre Abroad Archives

Romeo Castellucci “Believing In Masks” At Milan’s Fog Festival

by Margaret Rose | Mar 13, 2026 | Directing, Festivals, Italy, Review | 0

FOG, Milan’s performing arts festival, is back with some rare treats for theatregoers keen to...

“Last Call” Brings Us Closer To Bernstein And Von Karajan

by Daniel Meyer-Dinkgräfe | Mar 13, 2026 | Directing, Germany, Playwriting, Review | 0

Plays about famous people have always held special attraction to dramatists, theatres and...

“Is Love Energy Or Matter?” An Interview With Rok Vilcnik, Slovenian Playwright, Author, Musician, Poet

by Ivanka Apostolova Baskar | Mar 11, 2026 | Interview, Macedonia, Playwriting, Slovenia | 0

Rok Vilčnik (b. 1968), also known as rokgre, is a prominent Slovenian author, poet, playwright,...

The Piccolo Theatro’s “Miracle In Milan”

by Margaret Rose | Mar 11, 2026 | Adaptation, Italy, Review | 0

On the opening night of Miracle in Milan at the Piccolo Teatro Strehler, the excitement of the...

“An Enemy Of The People:” An Oblique Look At Democracy From Schaubühne Berlin

by Katerina Pestamatzoglou | Mar 9, 2026 | Germany, Greece, Review, Theatre and Politics, Transcultural Collaborations | 0

An Enemy of the People was first introduced to Greek audiences in 1902 by the pioneering “New...

A Beer And A Mop

by Jonathan Kalb | Mar 7, 2026 | Acting, New York, Playwriting, Review, United States of America | 0

Jake Brasch’s The Reservoir tells the story of a charmingly self-deprecating, openly gay NYU...

“Digital Access To The Performing Arts” Released Open Access

by The Theatre Times | Mar 7, 2026 | Australia, Books, Essay, Europe, Transmedia, United Kingdom, United States of America | 0

The newly published book Digital Access to the Performing Arts: A Comparative Study of Legal and...

Dea Loher’s New Play “Frau Yamamoto Ist Noch Da” In Bremen And Osnabrück

by Daniel Meyer-Dinkgräfe | Mar 5, 2026 | Directing, Germany, Review | 0

Dea Loher (b. 1964), has been a prominent German dramatist since the world premiere of her first...

Monster Mash

by Jonathan Kalb | Mar 3, 2026 | Acting, New York, Review, United States of America | 0

Ngozi Anyanwu’s The Monsters is a poignant and muscular two-hander about a Black brother and...

Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello”

by David O'Donnell | Mar 2, 2026 | Devised Theatre, New Zealand | 0

By a fortuitous coincidence, a new theatre-work The Chair and The Cello – which features an...

Picasso’s “Barber” At The Spanish National Theatre

by Duncan Wheeler | Feb 24, 2026 | Directing, Management, Review, Spain | 0

Balding men are often precious about their hair. Pablo Picasso (1881-1973) was no exception. First...

Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic

by Aleks Sierz | Feb 20, 2026 | Playwriting, Review, Theatre and Politics, Ukraine, United Kingdom | 0

Today, in Geneva, there are tentative peace talks between Ukraine and Russia; today, in London,...

In the City of al-Sayyab, Theatre Still Speaks

by Amir Al-Azraki | Feb 19, 2026 | Essay, Iraq, Theatre and Politics | 0

Basra is shaped by louder forces such as oil, politics, and the constant negotiation of visible...

Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival

by Aleks Sierz | Feb 19, 2026 | Acting, Directing, Review, United Kingdom | 0

Terence Rattigan is a posh playwright whose work encapsulates the emotional restraint of the...

“Hamlet²” (“Amleto²”)

by Margaret Rose | Feb 17, 2026 | Adaptation, Italy, Review | 0

In late January and early February, Filippo Timi’s Hamlet² played to full houses at the 500-seater...

The Trans Excellence of Faggotica

by Morgan Skolnik | Feb 13, 2026 | LGBTQ+ Theatre, New York, Review | 0

Anticipation and intrigue flood the room– a room which both is and is not the club. I and around...

“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland

by Teodora Medeleanu | Feb 10, 2026 | Essay, Festivals, Poland, Romania, Transcultural Collaborations | 0

Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...

NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future

by Victoria Zavyalova | Feb 9, 2026 | Australia, Festivals, Review, United States of America | 0

In January, the NYC Under the Radar Festival presented some of the most innovative and...

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Chinese Theatre Abroad

Romeo Castellucci “Believing In Masks” At Milan’s Fog Festival

“Last Call” Brings Us Closer To Bernstein And Von Karajan

“Is Love Energy Or Matter?” An Interview With Rok Vilcnik, Slovenian Playwright, Author, Musician, Poet

The Piccolo Theatro’s “Miracle In Milan”

“An Enemy Of The People:” An Oblique Look At Democracy From Schaubühne Berlin

A Beer And A Mop

“Digital Access To The Performing Arts” Released Open Access

Dea Loher’s New Play “Frau Yamamoto Ist Noch Da” In Bremen And Osnabrück

Monster Mash

Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello”

Picasso’s “Barber” At The Spanish National Theatre

Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic

In the City of al-Sayyab, Theatre Still Speaks

Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival

“Hamlet²” (“Amleto²”)

The Trans Excellence of Faggotica

“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland

NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future

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