Immersive Theatre Archives - Page 7 of 7

Play the Game on the Stage! Conversation with machina eX, One of The Most Immersive Theatre Companies in Germany

Posted by Ágnes Bakk | 14th Dec 2016 | Germany, Immersive Theatre, Interview, Transmedia

machina eX is one of the most immersive theatre company in Germany. They constantly recreate...

Between the Niche and Disneyland: Interactive Performance Design for Virtual Theatre & Games

Posted by Ágnes Bakk | 12th Dec 2016 | Immersive Theatre, Interview, Participatory Theatre, Transmedia

Evert Hoogendoorn is a strategist and game designer at IJsfontein Interactive Media. He also has a...

On Audience Outreach and Gaming: Conversation With Kirsty Sedgman

Posted by Ágnes Bakk | 3rd Dec 2016 | Dramaturgy, Immersive Theatre, Interview

Kirsty Sedgman‘s background is in performance studies, which, according to her, tends to make big...

Immerse Yourself in Korea’s Cultural Center and the Lives of Struggling Actors

Posted by Walter Byongsok Chon | 29th Nov 2016 | Immersive Theatre, Review, South Korea

Immersive theatre meets Korea’s Daehangno cultural center in Roadtheater: Daehangno, directed by...

Dziady Recycling Festival Explores Memory, Performance, and Ritual Across Cultures

Posted by Lauren Dubowski | 27th Nov 2016 | Adaptation, Essay, Festivals, Immersive Theatre, Poland, Review

It is noteworthy that the custom of banqueting the dead seems to be common to all pagan peoples,...

“DEURnis”: The Anatomy of Intimacy

Posted by Marié-Heleen Coetzee | 23rd Nov 2016 | Immersive Theatre, Review, South Africa

I enter a suburban house in Capitol Park, Pretoria. A suburban house with a dog. Sculptures in the...

National Theatre in Lisbon: Doors Wide Open

Posted by José Ferreira | 20th Sep 2016 | Immersive Theatre, News, Portugal

After Tiago Rodrigues was appointed Director of Dona Maria National Theatre, in Lisbon, in October...

Theatre Performed in the Comfort of Your Own Home

Posted by Margarita Vargas | 18th Sep 2016 | Immersive Theatre, Mexico, News

Demonios: las huellas del dolor (Demons: The Traces of Pain), written by Ingrid Águila, and...

Blast Theory on “a Mission to Maintain a Sense of Liveness and Participation”

Posted by Ágnes Bakk | 14th Sep 2016 | Immersive Theatre, Interview, Transmedia, United Kingdom

The Brighton-based Blast Theory is one of the world leading interactive performance companies that...

Immersive Theatre: Towards a Dramaturgy of Participation

Posted by Persis Jade Maravala and Jorge Lopes Ramos - Exeunt Magazine | 2nd May 2016 | Dramaturgy, Essay, Immersive Theatre, Participatory Theatre

As participatory theatre saturates the mainstream, here’s Persis Jade Maravala and Jorge...

Connecting Shakespearean “Roman Tragedies”

Posted by Christine Judith Nicholls | 10th Mar 2014 | Adaptation, Festivals, Immersive Theatre, Netherlands, Review, Theatre and Politics, Transmedia

Over six hours, three Shakespearean tragedies – Coriolanus, Julius Caesar, and Antony And...

Madrid’s Microtheatre Revitalizes Local Scene

Posted by Beatriz Cabur | 10th Dec 2013 | Immersive Theatre, News, Spain

On a Saturday night, Madrid’s Microtheatre performs 54 mini-shows back to back in the...

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Immersive Theatre

Play the Game on the Stage! Conversation with machina eX, One of The Most Immersive Theatre Companies in Germany

Between the Niche and Disneyland: Interactive Performance Design for Virtual Theatre & Games

On Audience Outreach and Gaming: Conversation With Kirsty Sedgman

Immerse Yourself in Korea’s Cultural Center and the Lives of Struggling Actors

Dziady Recycling Festival Explores Memory, Performance, and Ritual Across Cultures

“DEURnis”: The Anatomy of Intimacy

National Theatre in Lisbon: Doors Wide Open

Theatre Performed in the Comfort of Your Own Home

Blast Theory on “a Mission to Maintain a Sense of Liveness and Participation”

Immersive Theatre: Towards a Dramaturgy of Participation

Connecting Shakespearean “Roman Tragedies”

Madrid’s Microtheatre Revitalizes Local Scene

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