Immersive Theatre: Towards a Dramaturgy of Participation
As participatory theatre saturates the mainstream, here’s Persis Jade Maravala and Jorge...
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Dramaturgy
Playwriting Doesn’t Get Better Or Worse–But It Does Evolve
This is a long-read essay, the third in a series on playwriting and drama by Julian Meyrick. Read...
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We Can’t Get Those Two Hours Back–Drama Works As Time Unfolds
This is a long-read essay, the second in a series on playwriting and drama by Julian Meyrick. Part...
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#Wikiturgy Edit-A-Thon
Last year, on February 17, the online theater world exploded following candid remarks regarding...
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Terrorism, Truth, and Trust – How Dramaturgy Informs Real Life
Drama and its core principles are to be found in theatres while the real world goes on outside,...
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Anthea Williams on Belvoir’s Important New Season
Anthea Williams, Associate Director-Literary at the Belvoir Street Theatre in Sydney, writes about...
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Dramaturg Glenn Saunders on the Australian Approach to the Classics
Freelance theatre critic and dramaturg, Glenn Saunders, writes about the unique energy of...
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LMDA 2014 Showcases Digital Theater Networks
The Literary Managers and Dramaturgs of the Americas (LMDA) convened the last week of June 2014 at...
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Magda Romanska on Dramaturgy and Opera
BLO: What is a dramaturg? MR: In its broadest and earliest definition, dramaturgy means a...
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Walter Byongsok Chon on Dramaturgy: Interview with 2AM Theatre
Walter Byongsok Chon is an assistant professor of dramaturgy and theatre studies at Ithaca...
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