Marfa’s Mysterious Lights Come to Hong Kong
AUTHOR: Christie Lee Wong Kit-yi has always been fascinated with myths. Her previous works have...
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Staging Justice: Miguel del Arco revisits Jordi Casanovas’ “Jauría” and the case of “la manada” (the wolfpack)
Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be...
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Towards New Theatre in Europe: What Roles Can Multilingual Dramaturgies Play in Europe’s Future(s)?
Europa jest wielojęzyczna. Europe – as a geopolitical concept, its residents, communities, and...
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Milan’s FOG Festival
Milan’s international multidisciplinary performance art festival FOG, featuring theatre, music,...
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Mariam Ndagire: A Full Career in Theatre, Music and Film
It is hard to remember the first encounter with Mariam Ndagire as an artist. It was probably...
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Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
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Sharm El-Sheikh Int’l Theatre Festival For Youth To Launch Sister Edition In Poland
The Egypt-based Sharm El-Sheikh International Theatre Festival for Youth (SIFTY) is set to launch...
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The Silent Service of Women: Cayenne Douglass’s “Maiden Voyage” at The Flea
“What kind of service do submarines provide?” asks the machine’s captain, Ricky Martin. “Silent...
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“Teeth” Bites Back Against Purity Culture: On Michael R. Jackson and Anna K. Jacob’s Musical
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
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“Brother-Brother” by Cheta Igbokwe: A Quest for Long Lives Leads to Quick Deaths
Nigerian playwright, Cheta Igbokwe, is a prolific young writer. This I find amazing, especially...
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Love, Loss And Tears – But Also Laughter: Belvoir’s Compelling And Skilful Staging Of “Holding The Man”
Walking through Chippendale on my way to Sydney’s Belvoir Street Theatre, where this production of...
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The Ally at the Public Theater in New York: Back to the Agora
Can one truly be sympathetic until the ultimate consequences to the problems of someone who is not...
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Doubtless Doubt
Whatever your opinion of the profundity of John Patrick Shanley’s Pulitzer- and Tony-winning 2005...
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“I Killed My Mother/It Wasn’t My Fault.” Which Way Does One Get to Come-of-Age?
The question of universality faces entire series of utterly new answers, but not all of them find...
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A Triple Bill on Desire and its Discontents: “La Voix Humaine”, “Erwartung” and Something in Between at Madrid’s Teatro Real
There are a number of firsts in the new Teatro Real production triple bill that brings together...
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Alfredo Sanzol Stages Lorca’s “The House of Bernarda Alba”: Simmering Passions, Solitude and Surveillance
The 2023/2024 season has proved the year of Bernarda Albas. Lorca’s 1936 drama was completed only...
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Respect And Disrespect Clash Throughout 37 – A Brilliant New Play Exploring Australian Rules Football
Guernsey number 37 belonged to Aboriginal star football player Adam Goodes when he played for...
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“Haywire:” An Unsettling Account On Mental Health Issues
When Chenura Trust a Zimbabwean media company announced that they were working on a theatrical...
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“ANGELA (a Strange Loop)”: The Wild and Wonderful World of Susanne Kennedy
Susanne Kennedy doesn’t do things by half. When she creates a world, it has its own logic, its own...
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Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
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