Mish Grigor leaves. Again and again and again she leaves the stage, leaves the building, leaves the country. As she attempts a series of grand exits, her actions become more and more
ridiculous, careening from the absurd to the personal to the darkly political. Whether she’s abandoning lovers, childhood dreams or bad restaurants, there’s more to her escape routines than simple flight. Exit Strategies is about escape, change, and disappearance.This post was written by the author in their personal capacity.The opinions expressed in this article are the author’s own and do not reflect the view of The Theatre Times, their staff or collaborators.
This post was written by By APHIDS, Lead Artist Mish Grigor (2019), Australia.
The views expressed here belong to the author and do not necessarily reflect our views and opinions.