“Cassandra,” Written And Performed By Ailsa Dixon, Edinburgh Festival Fringe
Playing at the Scottish Storytelling Centre during the Edinburgh Fringe Festival, Cassandra,...
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Karis Kelly’s “Consumed” At The Traverse Theatre, Edinburgh Festival Fringe
Here at the Edinburgh Fringe, as well as Gary McNair’s A Gambler’s Guide to Dying, I caught the...
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“A Gambler’s Guide To Dying” Set In Glasgow’s Gorbals, Edinburgh Festival Fringe
For this year’s Edinburgh Fringe Festival, the Traverse Theatre has, as usual, put together a...
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“Athens Of The North” at the Scottish Storytelling Centre, Edinburgh Festival Fringe
The expression ‘Athens of the North’, the title of the play in the present review, conjures up an...
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“Buen Camino,” Edinburgh Festival Fringe 2025
‘Dare to Discover’ is the leitmotiv of the 2025 Edinburgh Fringe running from 1st to 25th August....
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Tampere Theatre Festival 2025: Worlds in Miniature
In the opening page of the 2025 Tampere Theatre Festival brochure, the artistic team (Hilkka-Liisa...
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Flightless, Caged “Angels In America”
Sitting through 5 and a half hours of performance might seem like an exercise of will and...
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Barcelona’s 2025 Grec Festival: “The Performing Arts as a Critical and Poetic Tool”
The 2025 Grec festival, the first under the new directorship of Leticia Martín Ruiz, opened on 26...
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The TikTok-isation Of Theatre? – “Dziewczyna, Która Podeptała Chleb”
Jumping from one story to another or from a specific timeline to an entirely different one seems,...
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“Trilogia Cadela Força – Capítulo II: The Brotherhood.” Review. Holland Festival 2025.
My colleague Jonathan and I were walking towards Leidseplein and the Internationaal Theater...
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“From Dust.” Another Review. Holland Festival 2025.
Stepping into From Dust feels less like attending a performance and more like consciously entering...
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“From Dust.” Review. Holland Festival 2025.
Arrival and Anticipation On Thursday, June 19, I participated in Michel van der Aa’s From Dust....
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“Welcome to Asbestos Hall.” Review. Part II. Holland Festival 2025.
For Part I of this review, go here. Yet again, I find myself at the edge of Amsterdam, at the...
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“Welcome to Asbestos Hall.” Review. Part I. Holland Festival 2025.
It is the third day of the Holland Festival, and I make my way to what feels like the edge of...
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“Swan Song”: Between Prophecy and Epitaph
A provincial theatre celebrates an anniversary. In the dressing room — two men: a comic and a...
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Mark Rosenblatt’s “Giant” in Barcelona
The first new production of Mark Rosenblatt’s Olivier-award-winning Giant since its London...
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Who’s Afraid of the Public? Reports from the Daehangno X Forum on the Shut-Down of TheatreIn
“Can we just disband the Seoul Foundation for the Arts and Culture entirely and start over?” A...
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Decolonizing Iraqi Theatre: Why We Need to Stop Quoting the West
Inherited Voices: A Theatre of Borrowed Authority Recently, I’ve found myself drawn to a popular...
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Jake Brunger’s Four Play at the King’s Head Theatre: Delicious Mix Of Laughter And Provocation In A Sex Comedy Of Manners
Is there such a thing as the seven-year itch? Named after Billy Wilder’s 1955 comedy, which...
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An Exploration Through The Convoluted Layers Of “Blind Runner”
Blind Runner, the latest play by Amir Reza Koohestani, was performed from January 4 to 24, 2025,...
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