“No Power for the Electric Chair ” – Crime of Theatrical Absurd
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
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(LA)HORDE’s Flash Mob Revolution
The enthusiastic applause and standing ovations received by Room with a View from the large...
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Melati Suryodarmo and Alessandro Sciarroni Moving Within Patriarchy
Indonesian performance artist Melati Suryodarmo and Italian choreographer Alessandro Sciarroni...
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“We Live in Cairo”-Off-Broadway
We Live in Cairo, written by The Lazours, is a historical musical set in Egypt during the Arab...
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“DRAG: The Musical.” An exclusive interview with Alaska Thunderfuck
One of the main achievements of DRAG: The Musical, which premiered at the New World Stages in New...
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Big Bang Professional Week, Temporada Alta Fights Against ‘Mierda Bonita’
Mierda bonita, or beautiful shit in English, is the term used in La luz de un lago/The light of a...
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On Kyoto Experiment’s Curatorial Vision
The interdisciplinary theatre, dance, and performance art festival Kyoto Experiment (KEX) wowed me...
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Peter J. Chelkowski: A Life of Scholarship And Cultural Exchange
Milad Azarm in conversation with Mohammadreza Khaki Peter J. Chelkowski, an esteemed scholar and...
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Six Against Turkey – We Are All a Little Turkish
Six Against Turkey, at The Kosovo Albania Showcase, is a new satire from playwright Jeton Neziraj...
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Fruiting Body: What Mushroom-To-Human Conversations Reveal In A New Off-Broadway Play
How do you explain the concept of childbirth to an alien intelligence, such as that of fungi? Are...
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“Dear Shameless Death – Dirmit” by Tiyatro Hemhâl: A Gift of Resistance
Based on a well-loved Turkish novel by Latife Tekin, Dear Shameless Death – Dirmit by Tiyatro...
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The Revolutionary Spirit is Alive in “We Live in Cairo”
Though many people rushed to them post election, the musical of our political moment is not...
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The Images of Me: 2024 Prologue New Play Festival
Staged readings are a liminal period for new plays in development. For rough ideas, they can be a...
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“Flower Sajza” at The National Experimental Theater of Tirana- Kosovo Albania Theatre Showcase
In Flower Sajza, directed by Endri Çela at the National Experimental Theater of Tirana, two women...
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“How I Learned To Drive” – Heartefact Fund at the Kosovo Albania Theatre Showcase
Heartefact Fund is a young company based in Serbia. Normally, the company performs in an apartment...
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The Kosovo Albania Theatre Showcase 2024 – A Review of “The Internationals”
The Director, a positive character The Critic is a sitter on fences and neither a positive nor...
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Starlight Express The Musical: 40 Years in The Orbit
Dedicated to the 40th anniversary of the first original production of the musical Starlight...
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Capitalism Meets Austerity in Àlex Rigola’s “Glengarry Glen Ross”
Àlex Rigola first staged David Mamet’s Glengarry Glen Ross at Barcelona’s Teatre Lliure...
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Chela De Ferrari’s “The Seagull”: Theatre, Identity and Unrequited Love
Peruvian director Chela De Ferrari of Lima’s Teatro La Plaza, reconfigured Hamlet — seen at this...
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Shakespeare In Iraq: An Interview With Dr. Samir Talib
Dr. Samir Talib is an Iraqi scholar specializing in Shakespeare and Renaissance studies. He earned...
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