A “Self-Portrait” By Davide Enia
Playwright, actor, director and novelist Davide Enia had his first success as a theatrical...
Read MorePosted by Margaret Rose | 8th May 2025 | Italy, Review, Theatre and Politics
Playwright, actor, director and novelist Davide Enia had his first success as a theatrical...
Read MorePosted by Victoria Zavyalova | 7th May 2025 | Review, Theatre and Politics, United States of America
Benedict Andrews’ reinvention of Chekhov’s The Cherry Orchard at St. Ann’s Warehouse raises the...
Read MorePosted by Vassili Schedrin | 2nd May 2025 | Dramaturgy, Review, Russia, United States of America
Soviet nonconformist art was emerged in the 1950s when artists dared to transcend the official...
Read MorePosted by Aleks Sierz | 29th Apr 2025 | Ireland, Playwriting, Review, United Kingdom
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
Read MorePosted by Berna Ataoğlu | 25th Apr 2025 | Canada, Review, Theatre and Gender
Hypothetical Baby is a one-woman show written and performed by Rachel Cairns, centered on her own...
Read MorePosted by Kyungjin Jo | 24th Apr 2025 | Review, South Korea, Transcultural Collaborations
In the intimate setting of a small black box theatre, audience members find themselves not in the...
Read MorePosted by Walter Byongsok Chon | 22nd Apr 2025 | Interview, Musical Theatre, Theatre for Young Audiences, United States of America
This is a video interview with Michael Salvatore Commendatore, projection designer for Disney’s...
Read MorePosted by Morgan Skolnik | 20th Apr 2025 | LGBTQ+ Theatre, New York, Review
Space Lesbians! Portals! Psychic Sisters! Oh my! These are just some of the elements introduced in...
Read MorePosted by Margaret Rose | 16th Apr 2025 | Italy, Review, Theatre and Disability
At Milan’s Franco Parenti theatre, Shards of Chaotic Memory in Multicoloured Ink (Schegge di...
Read MorePosted by Aleks Sierz | 15th Apr 2025 | LGBTQ+ Theatre, Review, United Kingdom
Coming of age stories are more or less all the same. But what distinguishes Julia Grogan’s...
Read MorePosted by Jonathan Kalb | 12th Apr 2025 | Adaptation, New York, Review
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
Read MorePosted by Aleks Sierz | 11th Apr 2025 | Documentary Theatre, Dramaturgy, Review, United Kingdom
Are we really in “a new era of male anger, societal discontent and rage”? This is what Royal Court...
Read MorePosted by Cristina Modreanu | 7th Apr 2025 | Review, Theatre and Gender, United States of America
Did you knit your scarf? A woman asked me while we were waiting in the line for the restroom. No!...
Read MorePosted by Aysha Zackria | 6th Apr 2025 | Dramaturgy, Essay, Festivals
I’m Aysha Zackria. I’m a 23 year old Queer Pakistani-American woman living in D.C. Through my...
Read MorePosted by Morgan Skolnik | 2nd Apr 2025 | New York, Review, Theatre and Religion
The room is thick with steam (ok, it’s smoke machine smoke), an accordion and clarinet cycle...
Read MorePosted by Ivanka Apostolova Baskar | 2nd Apr 2025 | Croatia, Interview, Transcultural Collaborations, Translation
An Interview with Ms. Zeljka Turcinovic – dramaturg, editor of magazines: Croatian Theatre and...
Read MorePosted by Jonathan Kalb | 2nd Apr 2025 | New York, Review, Theatre and Art
Alice Childress has been having a moment the past few years. This extraordinary Black playwright,...
Read MorePosted by Aleks Sierz | 28th Mar 2025 | Acting, London, Review, United Kingdom
Anxiety. Apprehension. Angst even. Yes, that’s the feeling that rises in me as I come into the...
Read MorePosted by Morgan Skolnik | 27th Mar 2025 | New York, Review, Theatre and Gender
Much like the women it centers on, Roundabout Theatre Company’s Liberation is rebellious and not...
Read MorePosted by Ivanka Apostolova Baskar | 26th Mar 2025 | Festivals, Interview, Playwriting, Romania
An Interview with Mr. Horia Gârbea – Playwright, dramaturg, translator, Bucaresti, Romania Horia...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026 
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026