The Horror of Mundanity in NYTW’s A Knock On the Roof
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
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Dropping Balms
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
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Culture Belongs To Humanity! Not To The Armies
An Interview with Bouboulina Nikaki, Thessaloniki-Athens, Greece – International theatre...
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Eline Arbo’s The Years At The Harold Pinter Theatre: Nobel Prize Winner Annie Ernaux’s Book Gets A Problematic West-End Staging
Marketing is the new real. For many years, in theatre as elsewhere in society, the most important...
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Getting Known
Beckett Briefs is a great title for a program of short plays by Ireland’s most famously laconic...
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Тim Rice – 80: The Нero and His Many Anniversaries. Part II
The first part of this interview is available here. Tim Rice has been lucky to work with many...
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A Dystopian Sci-Fi: “Honey, I’m Home”
Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...
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Lucy Kirkwood’s “The Welkin” (“Empireo”) In Milan
Some of the outstanding works by British playwright Lucy Kirkwood are finally being staged in...
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A Canadian Epic: “Come From Away”
The Tony Award-winning Musical Come From Away, written by Irene Sankoff and David Hein, premiered...
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Rameau reinvented: Peter Sellars stages “Castor et Pollux” at the Opéra National de Paris
Peter Sellars isn’t afraid of taking risks. It’s part of his approach to making work, as his 2024...
Read More![V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/01/5-Photo-credit-Vesna-A-Briskoska-627x376.jpg.webp)
V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part II]
To read PART I of this interview, go to this link. Collective Interview with V4 Improv...
Read More![V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/01/1-Photo-credit-Vesna-A-Briskoska-627x376.jpg.webp)
V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]
Collective Interview with V4 Improv Connect Team (Hon Chong (actor, director – Slovakia),...
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Europe As a Beautiful Mess: An Interview with Heidi Wiley, Executive Director of ETC
For 15 years now, Heidi Wiley has been Executive Director of the largest and most influential...
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Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
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Disability, Kink, and Joy as Resistance in The Dan Daw Show
The Dan Daw Show’s long list of potentially triggering content includes depictions of kink...
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Roy Williams’s The Lonely Londoners at the Kiln Theatre: Superb Stage Adaptation Of The Classic Sam Selvon Windrush Novel
Is resilience the most powerful character trait? When you think about the suffering of the...
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Sitting Down with Theater Artist Kate Rankine
Lyricist/Librettist Kate Rankine has a list saved on her phone of “golden moments”, or “little...
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A Feline Farewell: “MEOW!” Excavates Americana at Exponential Fest
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
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The Fire This Time Festival Enters Its 16th Year
Finding artists, nurturing them, supporting them. Seeing their work to fruition, and creating a community of support. We really try to do this at the Apollo New Works, too. It’s really how we continue to keep people and community.
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