Taurie Kinoshita

regional managing editor

taurie@hawaii.edu

Taurie Kinoshita is a director, playwright and teacher. She teaches history, acting and dramatic production at Windward Community College in the University of Hawaii system, and is chair of the Play Development Committee.

Radical Representation: “Hi, Are You Single” Engages and Triumphs

Posted by Taurie Kinoshita | 24th Feb 2021 | Hawaii, LGBTQ+ Theatre, Review, Theatre and Disability, United States of America

Hypnotically charming, exquisitely flamboyant and the very embodiment of wit, Ryan J. Haddad wrote...

Read More

An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”

Posted by Taurie Kinoshita | 18th Jan 2018 | Acting, Hawaii, Interview, Transcultural Collaborations

The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...

Read More

Casting In Multiethnic And Multiracial Context: Changing Perspectives

Posted by Taurie Kinoshita | 18th Jan 2018 | Essay, Hawaii, Transcultural Collaborations

Though I never met my great-grandfather, I was told he was fond of saying “Lucky we come...

Read More

Hawaii Theatre Guide

Posted by Taurie Kinoshita | 16th Dec 2016 | Hawaii, News, United States of America

Popular images of Hawai’i are those of dancing women in provocative grass skirts adorned with...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
Maestras On The Podium: Women Conductors On… by Sariva Goetz 11th October 2025
“Full Moon” by Josef Nadj at the… by Emilija Kvočka 30th September 2025
“Lale Lili Marleen:” The Promising… by Daniel Meyer-Dinkgräfe 10th October 2025
Shakespeare In Iraq: An Interview With Dr. Samir Talib by Amir Al-Azraki 9th November 2024
“Tired” Of Consuming Postdramatic… by Ivanka Apostolova Baskar 31st August 2025
Starlight Express The Musical: 40 Years in The Orbit by Lisa Monde 14th November 2024
Cruelty, Guilt, And Redemption Intertwine In… by Victoria Zavyalova 19th September 2025
Debating Identity: Is It Time to Rename Cairo’s… by Ati Metwaly 26th September 2025
Decolonizing Iraqi Theatre: Why We Need to Stop… by Amir Al-Azraki 3rd August 2025

Recent Posts

Adaptations On The German Stage (1): “Sein Oder Nicht Sein” In Bremerhaven 29th October 2025
Meghan Tyler’s “Crocodile Fever” at the Arcola Theatre: Northern Ireland Sisters In A Darkly Funny Anti-Patriarchal Feast Of Symbols 27th October 2025
Six-Hour Tour De Force “Hamlet” In Hamburg, Directed, With Many Ironic Self-References, By Veteran Legendary Frank Castorf 27th October 2025
LegalAlien’s “The Flowers of Srebrenica”: Theatre as Healing 27th October 2025
Nick Payne’s “The Unbelievers” at the Royal Court Theatre: Latest Play By A Top New Writer Is Disappointingly Unfocused 26th October 2025
Barbarians in Midtown 22nd October 2025
“All Right. Good Night.:” A Poetic Meditation on the Art of Letting Go 20th October 2025
Bloody Ignorant Apes 15th October 2025
Maestras On The Podium: Women Conductors On Broadway, Then And Now 11th October 2025
“Lale Lili Marleen:” The Promising Relaunch Of A Quaint Chamber Theatre In The Oldest District Of Bremen 10th October 2025

SEARCH OUR ARCHIVES

Pin It on Pinterest