Savas Patsalidis

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s.patsalidis@thetheatretimes.com

Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer”

Posted by Savas Patsalidis | 2nd Jan 2026 | Directing, Greece, Review, Transcultural Collaborations, United Kingdom

There are directors who have gotten us accustomed to treading on unconventional paths. They have...

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Between Life And Death: A Festival’s Journey Through Tragedy [Part II]

Posted by Savas Patsalidis | 1st Aug 2025 | Bulgaria, Festivals, Transcultural Collaborations

To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...

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Between Life And Death: A Festival’s Journey Through Tragedy [Part I]

Posted by Savas Patsalidis | 1st Aug 2025 | Bulgaria, Festivals, Transcultural Collaborations

We each owe a Death Johannes von Tepl, Death and the Ploughman [ Der Ackermann und der Tod, 1401 ]...

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Recent Posts

Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026
Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival 19th February 2026
“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026

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