Peter Tregear

author

As COVID Wreaks Havoc in the Performing Arts, Do We Still Need a National Opera Company?

Posted by Peter Tregear | 6th Oct 2020 | Australia, Covid-19, Theatre and Opera

Anyone looking for evidence of just how devastating the COVID-19 pandemic has been to Australia’s...

Read More

Opera, Sexual Violence, And The Art Of Telling Terrible Tales

Posted by Peter Tregear | 5th Jul 2015 | Essay, London, Theatre and Opera, United Kingdom

As an art form routinely accused of contemporary irrelevancy, opera rarely makes headline news....

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Echoes of a Crumbling Republic: Review of… by Susanna Sun 4th January 2026
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
“With Ruby and I” – review –… by Verity Healey 3rd January 2026
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
Alan Ayckbourn’s Woman in Mind at the Duke of York’s… by Aleks Sierz 8th January 2026
Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
Leading with Risk, Trust, and Intuition: An… by Susanna Sun 7th January 2026
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025

Recent Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility 4th February 2026
“A Place Of Safety, A Journey In The Central Mediterranean” 3rd February 2026
Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker 29th January 2026
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro 27th January 2026
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity” 27th January 2026
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage 26th January 2026
Under The Radar Fest: Testo 23rd January 2026
Sharing Crafts, Or Laboratory Space 12th January 2026
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities 8th January 2026
Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling 8th January 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest