Beauty and Wisdom for Who: Disability in Simon McBurney’s “Die Zauberflöte”
The first notes of Simon McBurney’s production of Mozart’s Die Zauberflöte (The Magic Flute) which...
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Morgan Skolnik
Sitting Down with Emerging Artist Thalia Ranjbar
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
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Godless Clergy Members in “The Unbelieving”
The Unbelieving is documentary theater (all the lines are taken from real interviews), but this...
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Growing Up and Getting Through in Jill Sobule’s “F*ck7thGrade”
F*ck7thGrade is messy, it’s awkward, it’s unrelentingly earnest, and it’s utterly delightful....
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Melissa Etheridge’s Queer Joy: “My Window—A Journey Through Life”
I was struggling to find my seat at New World Stages when two people a bit older than me wearing...
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Dangerous Desires in “Marie It’s Time”
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
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Mental Illness, Misogyny, and the Myth of the Male Genius in “The Butcher Boy”
This review contains spoilers. TW: suicide, homicide, mental illness The Butcher Boy, which opened...
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