María Bastianes
regional managing editor
María Bastianes (Buenos Aires, 1984) is a Research Lecturer at the Universidad Complutense de Madrid, where she is currently leading a “Talent Attraction” project on the first performances of García Lorca’s theatre in Europe. She also keeps working on the study and promotion of Hispanic theatre in the UK, as part of her previous position as a Marie Curie Individual Fellow at the University of Leeds (www.estages.uk). She has published extensively on 20th and 21st centuries European and Argentinian theatres and cultures. Her first monograph, Vida Escénica de “La Celestina” en España (Peter Lang, 2020), explores the stage and cultural life of this Renaissance Spanish masterpiece in modern and contemporary Spain.
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Most Popular Posts
Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
NYC’s Under The Radar Festival Uses Lessons From The… by Victoria Zavyalova 9th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025
Martin Crimp’s Version Of “The Seagull”… by Daniel Meyer-Dinkgräfe 26th January 2026
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Recent Posts
- “Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
- NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
- Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026
- “The Devil Wears Prada” and Other Musicals by Sir Elton John. 8th February 2026
- The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025 6th February 2026
- In Oldenburg’s “The Tempest,” Trusting The Text Pays Off 6th February 2026
- Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”) 6th February 2026
- Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina) 5th February 2026
- Bad Data 4th February 2026
- Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility 4th February 2026











