María Bastianes
regional managing editor
María Bastianes (Buenos Aires, 1984) is a Research Lecturer at the Universidad Complutense de Madrid, where she is currently leading a “Talent Attraction” project on the first performances of García Lorca’s theatre in Europe. She also keeps working on the study and promotion of Hispanic theatre in the UK, as part of her previous position as a Marie Curie Individual Fellow at the University of Leeds (www.estages.uk). She has published extensively on 20th and 21st centuries European and Argentinian theatres and cultures. Her first monograph, Vida Escénica de “La Celestina” en España (Peter Lang, 2020), explores the stage and cultural life of this Renaissance Spanish masterpiece in modern and contemporary Spain.
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Most Popular Posts
Truth and Reconciliation in “Under the Shade… by Verity Healey 2nd January 2026
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025
“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 Witty Revival Of 2022 Pollesch “Liebe, Einfach… by Daniel Meyer-Dinkgräfe 12th December 2025
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025 “El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
Faustin Linyekula’s Missing Bodies: “My body,… by Ilinca Todoruţ 26th December 2025
3sisters at the Novi Sad Theatre by Emilija Kvočka 7th November 2025
Recent Posts
- Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen 6th January 2026
- “Leili And Majnun:” An Ancient Love Story For Modern Times 3rd January 2026
- “With Ruby and I” – review – more McDonagh than Robinson 3rd January 2026
- Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo 2nd January 2026
- Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin 2nd January 2026
- Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer” 2nd January 2026
- Gender Allows A Different Perspective On Ibsen’s “Der Volksfeind” (“An Enemy Of The People”) In Bremerhaven 1st January 2026
- What Happens In Mecca, Stays In Mecca: “Pilgrimage” By Humaira Ghilzai And Bridgette Dutta Portman 31st December 2025
- “Historia de una maestra” (Story of a Teacher) at Madrid’s Teatro Valle-Inclán: Arguing for Education as a Way of Life 28th December 2025
- Lolita Flores Places Poncia Centre-stage: A New Re-fashioning of “The House of Bernarda Alba” 28th December 2025











