Lisa Moravec

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You Came to See the Obscene?—”2020: Obscene”

Posted by Lisa Moravec | 13th Mar 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender

Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...

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Bodily Dressage: Cruel and Optimistic Pleasures of the Speaking and Moving Body

Posted by Lisa Moravec | 20th Dec 2019 | Austria, Festivals, Germany, Theatre and Dance

Researcher and critic Lisa Moravec explores how two performances of this year’s ImPulsTanz,...

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“Inchoate Buzz:” A Testing Ground for Interaction and Interdisciplinarity

Posted by Lisa Moravec | 19th Dec 2019 | Chile, London, Review, Theatre and Dance, United Kingdom

How far can bodily interaction amongst the audience members, with performance objects, and with...

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