Lisa Moravec

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You Came to See the Obscene?—”2020: Obscene”

Posted by Lisa Moravec | 13th Mar 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender

Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...

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Bodily Dressage: Cruel and Optimistic Pleasures of the Speaking and Moving Body

Posted by Lisa Moravec | 20th Dec 2019 | Austria, Festivals, Germany, Theatre and Dance

Researcher and critic Lisa Moravec explores how two performances of this year’s ImPulsTanz,...

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“Inchoate Buzz:” A Testing Ground for Interaction and Interdisciplinarity

Posted by Lisa Moravec | 19th Dec 2019 | Chile, London, Review, Theatre and Dance, United Kingdom

How far can bodily interaction amongst the audience members, with performance objects, and with...

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Most Popular Posts

The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
3sisters at the Novi Sad Theatre by Emilija Kvočka 7th November 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
Jack Holden’s The Line of Beauty at the Almeida… by Aleks Sierz 2nd November 2025
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025
Tanika Gupta’s “Hedda” at the Orange… by Aleks Sierz 30th October 2025
LegalAlien’s “The Flowers of… by Verity Healey 27th October 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025

Recent Posts

Adaptations On The German Stage (2): “Der Schimmelreiter” In Oldenburg 28th November 2025
“Aşınma” (“Corrosion”): A Solo Masterpiece About The Contemporary Human 23rd November 2025
Evil Can Appear Beautiful 23rd November 2025
#Me Too Oedipus 20th November 2025
“Liebe Mit Taktgefühl” By Barbara Raue-Flajs, At Piccolo Teatro Haventheater, Bremerhaven: Directorial Reflections 20th November 2025
Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek 19th November 2025
Dimension Zero: All Judy, No Punch 17th November 2025
Dupes of Hazard 16th November 2025
Nearly Finished 15th November 2025
The Filmed Performance “Woodland Bird Woman” – a Collaboration Between Esther Salamon, Robert Laycock And David Stephenson: Between.Pomiędzy Dispersed Festival 2025 9th November 2025

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