You Came to See the Obscene?—”2020: Obscene”
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
Read MorePosted by Lisa Moravec | 13th Mar 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender
Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...
Read MorePosted by Lisa Moravec | 20th Dec 2019 | Austria, Festivals, Germany, Theatre and Dance
Researcher and critic Lisa Moravec explores how two performances of this year’s ImPulsTanz,...
Read MorePosted by Lisa Moravec | 19th Dec 2019 | Chile, London, Review, Theatre and Dance, United Kingdom
How far can bodily interaction amongst the audience members, with performance objects, and with...
Read More
A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025 

The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary… by Xunnan Li And Yuan Du 2nd December 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
Evil Can Appear Beautiful by Margaret Rose 23rd November 2025