Daniel Meyer-Dinkgräfe

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d.meyer-dinkgrafe@thetheatretimes.com

Daniel Meyer-Dinkgräfe was Lecturer and Senior Lecturer in Drama (University of Wales Aberystwyth, 1994-2007) and Professor of Drama at the University of Lincoln (2007-2017). He expanded his creative profile with a novel (2017), and as an audio book narrator (2018). Since August 2019 he has served as artistic director of piccolo teatro Haventheater in Bremerhaven, Germany and has been writing opera reviews for "Seen and Heard International" since early 2024. He is the author of Daniel Meyer-Dinkgräfe, "Boulevard Comedy Theatre in Germany," Newcastle: Cambridge Scholars Press, 2005.

“Lale Lili Marleen:” The Promising Relaunch Of A Quaint Chamber Theatre In The Oldest District Of Bremen

Posted by Daniel Meyer-Dinkgräfe | 10th Oct 2025 | Directing, Germany, Review

The small district of Schnoor in the northern German city of Bremen, consisting of some 100...

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Lessing’s “Emilia Galotti” As Directorial Debut In Bremen

Posted by Daniel Meyer-Dinkgräfe | 9th Sep 2025 | Directing, Germany, Review

At German theatres, some assistant directors are employed for the duration of a production, from...

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German Summer Festival Theatre (2): Domfestspiele Verden, “Die Zündholzfrau”

Posted by Daniel Meyer-Dinkgräfe | 25th Aug 2025 | Festivals, Germany, Review

In 1997, an association was founded in the German city of Verden on the river Aller, located...

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German Summer Festival Theatre (1): Theatersommer Wismar, Brecht/Weill The Threepenny Opera

Posted by Daniel Meyer-Dinkgräfe | 24th Aug 2025 | Festivals, Germany, Review

Over the summer months, all of the publicly funded state and municipal theatres, as well as...

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Mark St Germain’s “Dancing Lessons” At Boulevard Münster In The Context Of The Ongoing Comedy Theatre Tradition In Germany

Posted by Daniel Meyer-Dinkgräfe | 28th Jul 2025 | Germany, Management, Review

Germany’s theatre landscape is very rich indeed. Many cities have publicly owned and funded...

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