Berna Ataoğlu

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A Play About Abortion – “Hypothetıcal Baby”

Posted by Berna Ataoğlu | 25th Apr 2025 | Canada, Review, Theatre and Gender

Hypothetical Baby is a one-woman show written and performed by Rachel Cairns, centered on her own...

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Violence Is Not Fate. Change Is Possible

Posted by Berna Ataoğlu | 3rd Apr 2025 | Playwriting, Theatre and Gender, Turkey

Turkish writer, theatre critic, and academic Zehra İpşiroğlu’s book Woman Plays features...

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A Dystopian Sci-Fi: “Honey, I’m Home”

Posted by Berna Ataoğlu | 6th Feb 2025 | Canada, Review, Theatre and AI, Theatre and Science

Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...

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A Canadian Epic: “Come From Away”

Posted by Berna Ataoğlu | 4th Feb 2025 | Canada, Review, Transcultural Collaborations, United States of America

The Tony Award-winning Musical Come From Away, written by Irene Sankoff and David Hein, premiered...

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A Feminist Documentary Play From Toronto: “Grace”

Posted by Berna Ataoğlu | 25th Mar 2019 | Canada, Review, Theatre and Gender

Grace is one of two daughters in an educated family living in Canada. She loves her parents and...

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Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
NYC’s Under The Radar Festival Uses Lessons From The… by Victoria Zavyalova 9th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
The Trans Excellence of Faggotica by Morgan Skolnik 13th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026

Recent Posts

Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026
Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival 19th February 2026
“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026

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