FITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
Read MorePosted by Teodora Medeleanu | 31st Oct 2025 | Festivals, Review, Romania
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
Read MorePosted by Aleks Sierz | 30th Oct 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
In 2023, Malaysian actor Michelle Yeoh won the Best Actress Oscar for her performance in...
Read MorePosted by Lisa Monde | 29th Oct 2025 | Musical Theatre, Review, United States of America
The Queen of Versailles. A New Musical will officially open on Broadway, at the St. James Theatre...
Read MorePosted by Daniel Meyer-Dinkgräfe | 29th Oct 2025 | Directing, Germany, Review
Sein oder nicht sein is a play by Nick Whitby (b.1963), premiered on Broadway in 2008, and first...
Read MorePosted by Aleks Sierz | 27th Oct 2025 | Ireland, Playwriting, Review, United Kingdom
Weird scenes inside the farmhouse; weird scenes in Northern Ireland; weird scenes of the 1980s....
Read MorePosted by Daniel Meyer-Dinkgräfe | 27th Oct 2025 | Directing, Germany, Review
This six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
Read MorePosted by Verity Healey | 27th Oct 2025 | Bosnia, Review, Theatre and Politics
The Flowers of Srebrenica should be impossible to stage. Irish academic Aidan Hehir’s book, a...
Read MorePosted by Aleks Sierz | 26th Oct 2025 | London, Playwriting, Review, United Kingdom
The Royal Court, Britain’s premiere new writing venue, celebrates its platinum anniversary next...
Read MorePosted by Jonathan Kalb | 22nd Oct 2025 | Musical Theatre, Review, United States of America
The Terrence McNally/Stephen Flaherty/Lynn Ahrens musical Ragtime is not the subtlest theater...
Read MorePosted by Victoria Zavyalova | 20th Oct 2025 | Directing, Germany, Review, United States of America
In All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
Read MorePosted by Jonathan Kalb | 15th Oct 2025 | Directing, Review, United States of America
Absurd as it may seem, Samuel Beckett’s Waiting for Godot, a demanding play about existential...
Read MorePosted by Jonathan Kalb | 14th Oct 2025 | Adaptation, Review, United States of America
James Graham’s play Punch tells the true story of a shiftless, belligerent rowdy who heedlessly...
Read MorePosted by Sariva Goetz | 11th Oct 2025 | Essay, Musical Theatre, Theatre and Gender, United States of America
When I was four years old, I asked my parents for piano lessons. We always had a piano in the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 10th Oct 2025 | Directing, Germany, Review
The small district of Schnoor in the northern German city of Bremen, consisting of some 100...
Read MorePosted by Jonathan Kalb | 5th Oct 2025 | Review, Theatre and Politics, United States of America
Among the most depressing facets of Donald Trump’s pathology is how all-consuming his hunger for...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025 
Six-Hour Tour De Force “Hamlet” In Hamburg,… by Daniel Meyer-Dinkgräfe 27th October 2025 


The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025