Ekman / León-Lightfoot / Dawson – A Dance Evening of Excellence at Rome Opera House
Under the artistic direction of the étoile Eleonora Abbagnato, Rome Opera House (Teatro dell’Opera...
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Month: May 2025
Ubu Is The Symbol Of Rebellion Tyranny And Stupidity/Budget Cuts In Culture – A Serious Threat
An Interview with Chantal Boiron, editor-in-chief for UBU Scenes d`Europe/European Stages, Paris,...
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”The Village”, Revolver Copenhagen
There is a big screen hanging above the stage on which four faces in four individual frames are...
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“The Pillars of the Earth”: Bestseller and Musical. An Exclusive Interview with Ken Follett. Part II
For the first part of the interview go here. From the earliest musicals, one can trace the...
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“Hamlet”, Teatro La Plaza, Barbican
’To be or not to be’, that is a question with a completely new ring to it in Teatro La Plaza’s...
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Catharsis in the Eleventh Row: The Aesthetics of Truth on Stage and an Audience That Is Not Afraid of the Dark
The time of frozen catharsis is now. But what kind of theatre refuses purification? Theatre...
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“Rhinoceros”, The Almeida Theatre
This Guardian pick of the year 2025 recently closed at London’s Almeida theatre, but it is...
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The Theater of Metaverse
Introduction It seems that the mission of the father of arts, “theatre”, as well as...
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Do Not Get Your Acting Degree So That You Can Become Part Of The Payroll, Only To Satisfy Your Appetites
An Interview with Mr.Bajrus Mjaku – one of the most remarkable theatre character actors from...
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A “Self-Portrait” By Davide Enia
Playwright, actor, director and novelist Davide Enia had his first success as a theatrical...
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“The Cherry Orchard” By Benedict Andrews: A Stark Mirror For A Collapsing Present
Benedict Andrews’ reinvention of Chekhov’s The Cherry Orchard at St. Ann’s Warehouse raises the...
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Black and White. Aleksandr Volodin’s “Five Evenings,” directed by Eduard Tolokonnikov, produced by Polina Belkina, in New York City (March 20-30, May 28-June 15, 2025)
Soviet nonconformist art was emerged in the 1950s when artists dared to transcend the official...
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