The Beauty of Cultural Specificity in “Bubble Schmeisis”
The room is thick with steam (ok, it’s smoke machine smoke), an accordion and clarinet cycle...
Read MorePosted by Morgan Skolnik | 2nd Apr 2025 | New York, Review, Theatre and Religion
The room is thick with steam (ok, it’s smoke machine smoke), an accordion and clarinet cycle...
Read MorePosted by Ivanka Apostolova Baskar | 2nd Apr 2025 | Croatia, Interview, Transcultural Collaborations, Translation
An Interview with Ms. Zeljka Turcinovic – dramaturg, editor of magazines: Croatian Theatre and...
Read MorePosted by Jonathan Kalb | 2nd Apr 2025 | New York, Review, Theatre and Art
Alice Childress has been having a moment the past few years. This extraordinary Black playwright,...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025 
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025 

James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
Nearly Finished by Jonathan Kalb 15th November 2025