Day: November 9, 2019

David Baddiel’s “God’s Dice” at the Soho Theatre: Mid-Life Crisis as Science Confronts Religion

Posted by Aleks Sierz | 9th Nov 2019 | Playwriting, Review, Theatre and Religion, Theatre and Science, United Kingdom

One of the great cultural divides is that between religion and science. Of course, as novels such...

Read More

“On Bear Ridge” at the Royal Court: History of Loss in Ed Thomas’s Absurdist Play.

Posted by Aleks Sierz | 9th Nov 2019 | Review, Theatre and Politics, United Kingdom

Memory involves places, people, things and words–especially words. This abstract proposition...

Read More

“Botticelli in the Fire” at the Hampstead: A Queer 15th Century Tale.

Posted by Aleks Sierz | 9th Nov 2019 | Review, Theatre and Gender, United Kingdom

Botticelli is a household name, but who knows the true story behind his most famous painting? The...

Read More

“Painted Alice” Review: Down The Rabbit Hole Once More

Posted by Zhe Pan | 9th Nov 2019 | Adaptation, Review, United States of America

Lewis Carroll’s Alice’s Adventures in Wonderland is a popular source of musical adaptions....

Read More

Mozart by Way of Cape Town

Posted by James Montaño | 9th Nov 2019 | Adaptation, Boston, Review, South Africa, Theatre and Opera, United States of America

The Magic Flute by the Isango Ensemble at ArtsEmerson When the Isango Ensemble plays—on only eight...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
NYC’s Under The Radar Festival Uses Lessons From The… by Victoria Zavyalova 9th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
The Trans Excellence of Faggotica by Morgan Skolnik 13th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026

Recent Posts

Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026
Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival 19th February 2026
“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest