Vanyamachine: Mallory Catlett’s “This Was The End”
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
Read MorePosted by Jessica Rizzo | 15th Jun 2018 | New York, Review, Russian Theatre Abroad, Transmedia, United States of America
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
Read MorePosted by Trevor Boffone | 15th Jun 2018 | Festivals, Interview, Playwriting, United States of America
Born and raised in Chicago by Dominican parents, Guadalís Del Carmen is a playwright, actress, and...
Read More


“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
Alan Ayckbourn’s Woman in Mind at the Duke of York’s… by Aleks Sierz 8th January 2026 


Leading with Risk, Trust, and Intuition: An… by Susanna Sun 7th January 2026