Day: November 24, 2017

Pablo Remón’s “Barbados Etcétera” – Minimalist Theatre of Words and Presence

Posted by Mara Valderrama | 24th Nov 2017 | Review, Spain

The Ambigú is a tiny space in the Pavón Kamikaze theatre in Madrid; a large hallway bar that often...

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“The Suppliant Women” – A New Version for Modern Times

Posted by Duška Radosavljević | 24th Nov 2017 | London, Review, Theatre and Gender, United Kingdom

Lizzie Clachan’s set is a simple stone floor slanting downwards towards the audience in a warm...

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