Month: July 2017

Review: Ensemble Studio Theatre 1-Act Marathon, Series B

Posted by Jack Wernick | 2nd Jul 2017 | Festivals, New York, Playwriting, Review

Ensemble Studio Theatre’s annual Marathon of One-Act Plays is in full swing this month in New...

Read More

Dramatizing Argentina’s Dirty War: An Interview with Marisela Treviño Orta

Posted by Trevor Boffone | 2nd Jul 2017 | Interview, Playwriting, United States of America

While working on her MFA in Writing from the University of San Francisco, playwright Marisela...

Read More

Berlin Turkish Theater Festival Kicks Off

Posted by The Theatre Times | 1st Jul 2017 | Festivals, Germany, Turkey

The Berlin Turkish Theater Festival kicked off on July 1, 2017 in the German capital, Berlin....

Read More

The Current State of Theatre in Wales – A Brief Introduction

Posted by Christopher Harris | 1st Jul 2017 | United Kingdom

Wales. A nation of folklore…the Mabinogion, Prince Madog, King Arthur. Embracers of the...

Read More

Review: Xameleon Theatre–Chekhov’s Vision Of “Love In A Nutshell”

Posted by Margaret Drummond | 1st Jul 2017 | Adaptation, London, Playwriting, Review, Russia, Russian Theatre Abroad, Translation, United Kingdom

Xameleon Theatre treats London audiences to a new insight into the life and works of Chekhov in...

Read More

1
…
3
4
5

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Cruelty, Guilt, And Redemption Intertwine In… by Victoria Zavyalova 19th September 2025
Shakespeare In Iraq: An Interview With Dr. Samir Talib by Amir Al-Azraki 9th November 2024
“Tired” Of Consuming Postdramatic… by Ivanka Apostolova Baskar 31st August 2025
Theatre Is A University, A Lifelong Study Of Human Nature by Ivanka Apostolova Baskar 15th September 2025
Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025
Violence and Therapy: 29th International Shakespeare… by Marta Bryś 11th September 2025
International Project – Dramaturgy Lab:… by Ivanka Apostolova Baskar 17th September 2025
29th International Shakespeare Festival runs in… by Kasia Lech 10th July 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
“Full Moon” by Josef Nadj at the… by Emilija Kvočka 30th September 2025

Recent Posts

Maestras On The Podium: Women Conductors On Broadway, Then And Now 11th October 2025
“Lale Lili Marleen:” The Promising Relaunch Of A Quaint Chamber Theatre In The Oldest District Of Bremen 10th October 2025
James Graham’s “Punch” at the Apollo Theatre: Compelling And Emotionally Intense Account Of Restorative Justice 30th September 2025
“Full Moon” by Josef Nadj at the Festival of International Alternative Theatre (FIAT) in Montenegro 30th September 2025
Debating Identity: Is It Time to Rename Cairo’s Experimental Theater Festival? 26th September 2025
Conor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic 26th September 2025
Cruelty, Guilt, And Redemption Intertwine In “The Mutt” At IATI Theater 19th September 2025
International Project – Dramaturgy Lab: Exploring West Balkan Plays – “Big Deal” By Mia Efremova 17th September 2025
Theatre Is A University, A Lifelong Study Of Human Nature 15th September 2025
Violence and Therapy: 29th International Shakespeare Festival in Gdańsk, Poland, 2025 11th September 2025

SEARCH OUR ARCHIVES

Pin It on Pinterest