Between Life And Death: A Festival’s Journey Through Tragedy [Part I]
We each owe a Death Johannes von Tepl, Death and the Ploughman [ Der Ackermann und der Tod, 1401 ]...
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“The Time of Our Singing” Opera Tackles Racial Segregation
Based on an American novel detailing the country’s troubled 20th century, the new Belgian...
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Minecraft Plays in Covid Times with Director/Artist Susie Lawrence
Artist and Director, Susie Lawrence, takes on the challenging aspects of Covid-theatre to a new...
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To Screen or Not to Screen: A Digital Experience at Mixer
In these uncertain times, as distance has taken on special meaning, the screen has gained a...
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The Western Prejudice Of Contemporary Dance
Fabián Barba studied dance in Quito, the capital of Ecuador, as well as at P.A.R.T.S. in...
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The “King” Returns And Theaters Look To Russia For 2019 – Theatre in Japan
Whether it’s a regular theatre that gets you going these days—or you’re skipping along more to...
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“An Enemy Of The People”: The Not-So-Silent Majority Speaks Out Again
In one bound, the rising English director Jonathan Munby found himself in the spotlight of...
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From the Space-Race to Filial Tensions, Robert Lepage’s “The Far Side of the Moon” Explores Reconciliation
In The Far Side of the Moon, Philippe and Andre, two estranged brothers, deal with the aftermath...
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What Is The State of New Plays in Contemporary China?
Meddling directors, confused actors, and pushy politicians are leaving the country’s budding...
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