Tag: MITEM Festival 2026

“The Cherry Orchard”: The Comedy Of Ruins

Posted by Emiliia Dementsova | 15th May 2026 | Hungary, Poland, Review

Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...

Read More

“Broken Melody” at MITEM: A Music That Finds Its Way Home

Posted by Emiliia Dementsova | 13th May 2026 | Hungary, Review

There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...

Read More

In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage

Posted by Emiliia Dementsova | 12th May 2026 | Festivals, Hungary, Review, Serbia

Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...

Read More

Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human?

Posted by Emiliia Dementsova | 8th May 2026 | Festivals, Hungary, Review, Theatre and Disability

Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro /...

Read More

From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm

Posted by Emiliia Dementsova | 14th Apr 2026 | Festivals, Hungary, Theatre and Politics

MITEM (Madách International Theatre Meeting), held annually at the National Theatre in Budapest,...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Pinocchio. What Is a Person? at MITEM: Who Gets to… by Emiliia Dementsova 8th May 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
GPS M S Biomechanics System Vs. Narcissism:… by Ivanka Apostolova Baskar 8th April 2026
Guilt And Resilience, And “The Fear Of 13” by Teodora Medeleanu 3rd May 2026

Recent Posts

Theatre – Creating Conditions For What Has Been Silenced To Emerge 16th May 2026
“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre 16th May 2026
“The Cherry Orchard”: The Comedy Of Ruins 15th May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home 13th May 2026
“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre 13th May 2026
In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage 12th May 2026
Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human? 8th May 2026
At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On 5th May 2026
Guilt And Resilience, And “The Fear Of 13” 3rd May 2026
Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine 2nd May 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest