Richard III at MITEM: When the Monster Is Not Alone
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
Read MorePosted by Emiliia Dementsova | 19th May 2026 | Festivals, Hungary, Israel, Review, Theatre and Politics
There was something almost suspiciously neat about the programming. MİTEM opened with Richard III...
Read MorePosted by Emiliia Dementsova | 15th May 2026 | Hungary, Poland, Review
Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the...
Read MorePosted by Emiliia Dementsova | 13th May 2026 | Hungary, Review
There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s...
Read MorePosted by Emiliia Dementsova | 12th May 2026 | Festivals, Hungary, Review, Serbia
Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented...
Read MorePosted by Emiliia Dementsova | 8th May 2026 | Festivals, Hungary, Review, Theatre and Disability
Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro /...
Read MorePosted by Emiliia Dementsova | 14th Apr 2026 | Festivals, Hungary, Theatre and Politics
MITEM (Madách International Theatre Meeting), held annually at the National Theatre in Budapest,...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026