Conor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
Read MorePosted by Aleks Sierz | 26th Sep 2025 | Acting, Dramaturgy, London, Review, United Kingdom
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
Read MorePosted by Aleks Sierz | 23rd Jan 2020 | London, Review, United Kingdom
The 1990s were a great decade for new writing, but although the story of those years is often told...
Read MorePosted by Aleks Sierz | 20th Jul 2019 | London, Review, Theatre and Politics, United Kingdom
In the middle of the current decade, there was a mild vogue for reviving a handful of the great...
Read MorePosted by Nobuko Tanaka | 29th Dec 2018 | Acting, Interview, Japan, Theatre and Film
It has been almost two years since pop group SMAP split up, but its demise after over two decades...
Read MorePosted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
Read MorePosted by Anna Prosvetova | 1st Jul 2016 | Adaptation, Interview, Russia, Theatre and Gender
Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...
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Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 